MARC record from Internet Archive

LEADER: 02587cam 2200373 a 4500
001 9922020090001661
005 20150423141940.0
008 110815s2012 nyua b 001 0 eng
010 $a 2011033715
020 $a9780415883511 (alk. paper)
020 $a0415883512 (alk. paper)
035 $a(CSdNU)u469359-01national_inst
035 $a(OCoLC)641536304
035 $a(OCoLC)641536304
035 $a(OCoLC)641536304
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dBWX
042 $apcc
049 $aCNUM
050 00 $aPN1995$b.B2953 2012
082 00 $a791.4301$223
100 1 $aBateman, John A.
245 10 $aMultimodal film analysis :$bhow films mean /$cJohn A. Bateman and Karl-Heinrich Schmidt.
260 $aNew York :$bRoutledge,$c2012.
300 $aviii, 330 p. :$bill ;$c24 cm.
440 0 $aRoutledge studies in multimodality ;$v5
504 $aIncludes bibliographical references and index.
505 0 $aAnalysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions.
650 0 $aMotion pictures$xPhilosophy.
650 0 $aMotion pictures$xSemiotics.
700 1 $aSchmidt, Karl-Heinrich.
947 $fHUMANITIES$hCIRCSTACKS$p$107.50$q1
949 $aPN1995 .B2953 2012$i31786102526495
994 $a92$bCNU
999 $aPN 1995 .B2953 2012$wLC$c1$i31786102526495$d5/7/2012$e4/4/2012 $lCIRCSTACKS$mNULS$n1$rY$sY$tBOOK$u11/30/2011