MARC record from Internet Archive

LEADER: 06270cam a2200565 a 4500
001 995539038
003 OCoLC
005 20151005050409.0
008 040121s2005 nyuabgm bkq 001 0 eng
010 $a2004041563
019 $a54103801$a57512857
020 $a0195141504
020 $a0195141490 (pbk. : alk. paper)
035 $a995539038
040 $aDLC$cDLC$dIUL$dIBI$dSDA$dMUQ$dBAKER$dOCL$dMDY$dSFR$dUtOrBLW
042 $apcc
043 $aa-io---
049 $aSFRA
050 00 $aML345.I5$bG65 2005
082 0 $a780/.9598/6$222
092 $a780.9598$bG5636mu
100 1 $aGold, Lisa$q(Lisa Rachel)
245 10 $aMusic in Bali :$bexperiencing music, expressing culture /$cLisa Gold.
246 30 $aExperiencing music, expressing culture
260 $aNew York :$bOxford University Press,$c2005.
300 $axxiii, 178 p. :$bill., maps, music ;$c22 cm +$e1 sound disc (digital ; 4 3/4 in.).
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aGlobal music series
500 $aCompanion CD contains musical examples keyed to discussion in the text.
504 $aIncludes bibliography (p. 162-166), discography (p. 166-167), videography (p. 168), and index.
505 0 $aThe Balinese ceremonial soundscape : simultaneity of soundings -- Instruments : materials, tuning, and timbre -- Interlocking and layering : musical roles in the ensemble -- The world of stories : integration of music, dance, and drama in traditional Balinese theater -- Characterization, movement, and gong structures that enliven Balinese theater -- Large-scale form in Gong Kebyar and its antecedents -- Conclusion. Three themes revisited at a cremation ceremony -- Glossary --
505 8 $aCD track list. 1. Night sounds -- 2. Gamelan gong playing a temple piece with priest's and congregation chanting in distance -- 3. Gamelan gong playing the gineman (introductory section) of the lalambatan (slow temple piece) "Jagul" (I Dewa Alit, trompong, Sanggar Çudamani) -- 4. Gamelan gong playing the pangawak (main body) of the lalambatan (temple piece) "Jagul" (I Dewa Alit, trompoing, Sanggar Çudamani) -- 5. Gamenlan gender wayang in wayang lemah (daytime ceremonial shadow play) performance during a ceremony (Gender wayang performers from Kayu Mas, Badung, Denpasar, include I Wayan Konolan and I Wayan Sujana; dalang [shadow master] Ida Bagus Ngurah Buduk) -- 6. "Topeng Keras" (accompanies a strong topeng characer) -- 7. "Topeng Arsa Wijaya" (accompanies a refined character) -- 8. Gamelan gambuh: gineman and dramatic excerpt illustrating stylized speech (Batuan Gambuh ensemble, vital records 501, track 1, "Batel" selisir mode, with permission) -- 9. Gamelan balaganjur playing a processional gilak piece -- 10. Gamelan balaganjur playing a kreasi (new creation) for procession (Sanggar Çudamani) -- 11. Gamelan gong kebyar "Java Semara" complete version (Sanggar Çudamani) -- 12. Gamelan jegog Werdi Sentana, "Jegog. Bamboo Gamelan of Bali" -- 13. The "wave" of paired tuning -- 14. Three pentatonic scales in the pelog tuning system -- 15. Listening to the gongs -- 16. "Java Semara" demonstration, building up layers; structural framework of gongs; low instruments; ugal; gangsas and reyong -- 17. Drums: syllables spoken by I Dewa Putu Berata, then a pattern played on two interlocking drums -- 18. Gangsa kotekan norot (single-note interlocking) -- 19. Gangsa kotekan nyong-cag (leaping interlocking) -- 20. Pangecet (final) section of the piece "Java Semara," alternating between two types of gangsa interlocking -- 21. Kotekan telu from the piece "Jauk Manis" -- 22. Same kotekan as in track 21, played at a faster tempo -- 23. Same kotekan with full gamelan -- 24. Expansion and contraction of a kotekan empat (4) pattern, from the piece "Teruna Jaya" -- 25. Ocak-ocakan reyong alone ("Teruna Jaya," Sanggar Çudamani) -- 26. Same excerpt with full ensemble ("Teruna Jaya," Vital records, 401 with permission) -- 27. Reyong syncopated interlocking patterns from "Topeng Keras" -- 28. Reyong norot interlocking from pangecet "Jaya Semara" -- 29. Gineman and beginning of "Sekar Sungsang," a "sitting piece" named after a kind of flower, played on gender wayang -- 30. Batel (a colotomic meter used for action scenes) -- 31. Omang Barong (a colotomic meter used in Barong dance drama) -- 32. Bapang (a colotomic meter) -- 33. Gabor Longgor (a colotomic meter, here used in "Jauk Manis") -- 34. Gilak (a colotomic meter used for processions and "Topeng Keras") -- 35. "Topeng Keras," layering demonstration -- 36. Kecak, the "Monkey chant," a sequence of forms and melodies -- 37. Kecak, a 16-beat melody -- 38. "Sinom Ladrang" playing by Sanggar Çudamani -- 39. "Jagra Parwata" (The awakening of the mountain), Kreasi Baru for Gong Kebyar by I Nyoman Windha -- 40. "Pengastukara" [We give blessing], a new composition for gamelan semarandana, composed by I Dewa Ketutu Alit, performed by Sanggar Çudamani -- 41. Gamelan angklung: two excerpts of a field recording from a melaspas cermeony inaugurating a house temple in Pengosekan, Gianyar; kidung chanting is heard in the background.
650 0 $aMusic$zIndonesia$zBali Island$xHistory and criticism.
650 0 $aMusic appreciation.
650 0 $aBalinese (Indonesian people)$xSocial life and customs.
830 0 $aGlobal music series.
907 $a.b19647608$b11-21-18$c10-19-05
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957 00 $aOCLC reclamation of 2017-18
907 $a.b19647608$b12-03-14$c10-19-05
938 $aBaker & Taylor$bBKTY$c39.95$d39.95$i0195141504$n0004426132$sactive
956 $aPre-reclamation 001 value: ocm60705130
994 $aC0$bSFR
998 $axam$b06-22-07$cm$da$e-$feng$gnyu$h0$i2
999 $yMARS
998 $axam$b12-30-05$cm$da$e-$feng$gnyu$h0$i0
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945 $a780.9598$bG5636mu$d - - $e02-28-2015 13:40$f0$g0$h06-02-15$i31223069437904$j221$0800$k - - $lxamci$nbook + CD-ROM$o-$p$18.00$q-$r-$s- $t3$u13$v13$w0$x0$y.i4338612x$z03-17-06