| Record ID | ia:musicintheorypra0000benw_s4e5 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/musicintheorypra0000benw_s4e5/musicintheorypra0000benw_s4e5_marc.xml |
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010 $a 2008018491
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020 $a9780073101873$q(v. 1 ;$qalk. paper)
020 $a0073101877$q(v. 1 ;$qalk. paper)
020 $a9780073101880$q(v. 2 ;$qalk. paper)
020 $a0073101885$q(v. 2 ;$qalk. paper)
020 $a9780077254957$q(student text, vol. 2)
020 $a0077254953$q(student text, vol. 2)
020 $a9780073127484$q(instructor's manual, vol. 1)
020 $a0073127485$q(instructor's manual, vol. 1)
020 $a9780073127439$q(instructors manual, vol. 2)
020 $a0073127434$q(instructors manual, vol. 2)
020 $a9780077294236$q(workbook, vol. 1)
020 $a0077294238$q(workbook, vol. 1)
020 $a9780073127415$q(workbook, vol. 2)
020 $a0073127418$q(workbook, vol. 2)
020 $a9780077254940
020 $a0077254945
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042 $apcc
050 00 $aMT6.B34$bM9 2009
082 00 $a781$222
100 1 $aBenward, Bruce.
245 10 $aMusic in theory and practice /$cBruce Benward, Marilyn Saker.
250 $a8th ed.
260 $aBoston :$bMcGraw-Hill,$c©2009.
300 $a2 volumes :$billustrations ;$c28 cm +$e2 audio discs (digital ; 4 3/4 in.)
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (v. 1, page 395) and index.
505 0 $av. 1. Notation ; Scales, tonality, key, modes ; Intervals and transposition ; Chords ; Cadences and nonharmonic tones ; Melodic organization ; Texture and textural reduction ; Species counterpoint ; Voice leading in four-part chorale writing ; Harmonic progression and harmonic rhythm ; The dominant seventh chord ; The leading-tone seventh chords ; Nondominant seventh chords ; Secondary dominants and leading-ton chords ; Modulation ; Two-part (binary) form ; three-part (ternary) form -- v. 2. Late Renaissance polyphony ; Two-voice eighteenth-century counterpoint ; The Fugue ; Borrowed chords ; Neapolitan 6th chords ; Augmented 6th chords ; Variation technique ; Sonata form ; Rondo forms ; 9th, 11th, and 13th chords ; Altered dominants ; Chromatic mediants ; The romantic period ; The post-romantic style ; Impressionism and related styles ; The early twentieth century ; Twelve-tone technique ; Music since 1945.
520 $aThis text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire. The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level [Publisher description].
650 0 $aMusic theory.
650 6 $aThéorie musicale.
650 7 $aMusic theory.$2fast$0(OCoLC)fst01030620
650 7 $aMusiktheorie$2gnd
650 07 $aMusiktheorie.$2swd
700 1 $aSaker, Marilyn Nadine.
776 08 $iOnline version:$aBenward, Bruce.$tMusic in theory and practice.$b8th ed.$dBoston : McGraw-Hill, ©2009$w(OCoLC)639557527
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip0816/2008018491.html
938 $aBaker and Taylor$bBTCP$n2008018491
938 $aIngram$bINGR$n9780073101873
938 $aYBP Library Services$bYANK$n100588543
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