| Record ID | ia:musicmonumentali0000rehd |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/musicmonumentali0000rehd/musicmonumentali0000rehd_marc.xml |
| Download MARC binary | https://www.archive.org/download/musicmonumentali0000rehd/musicmonumentali0000rehd_meta.mrc |
LEADER: 01173cam a2200265 a 4500
001 2008043837
003 DLC
005 20100225085604.0
008 081017s2009 enkag b 001 0 eng
010 $a 2008043837
020 $a9780195385380 (alk. paper)
020 $a0195385381 (alk. paper)
035 $a(OCoLC)ocn268952964
040 $aDLC$cDLC$dBTCTA$dYDXCP$dC#P$dBWX$dIBS$dDLC
043 $ae-gw---
050 00 $aML3877$b.R45 2009
082 00 $a780.943/09034$222
100 1 $aRehding, Alexander.
245 10 $aMusic and monumentality :$bcommemoration and wonderment in nineteenth-century Germany /$cAlexander Rehding.
260 $aOxford ;$aNew York :$bOxford University Press,$c2009.
300 $avii, 308 p. :$bill., music ;$c25 cm.
504 $aIncludes bibliographical references (p. [275]-298) and index.
505 0 $aIntroduction : perspectives on musical monumentality -- The time of musical monuments -- Musical apotheoses -- Sounding souvenirs -- Classical values -- Collective historia -- Faustian descents -- Epilogue : Beethoven's Ninth at the Wall.
650 0 $aSublime, The, in music.
650 0 $aMusic$zGermany$y19th century$xHistory and criticism.