MARC record from Internet Archive

LEADER: 02210pam a22003734a 4500
001 5533538
005 20221121181638.0
008 051011t20062006inuag b 001 0 eng
010 $a 2005029467
020 $a0268025770 (cloth : alk. paper)
020 $a0268025789
024 30 $a9780268025779 (pbk. : alk. paper)$d90000
035 $a(OCoLC)OCM62090774
035 $a(NNC)5533538
035 $a5533538
040 $aDLC$cDLC$dBAKER$dC#P$dNNC$dOrLoB-B
042 $apcc
043 $ae-ie---
050 00 $aML287$b.D38 2006
082 00 $a306.4/8420941509033$222
100 1 $aDavis, Leith,$d1960-$0http://id.loc.gov/authorities/names/n98067357
245 10 $aMusic, postcolonialism, and gender :$bthe construction of Irish national identity, 1724-1874 /$cLeith Davis.
260 $aNotre Dame, Ind. :$bUniversity of Notre Dame Press,$c[2006], ©2006.
300 $axiv, 323 pages :$billustrations, music ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 287-300) and index.
505 00 $g1.$tNation and notation : Irish music and print culture in the eighteenth century -- $g2.$tHarping on the past : Joseph Cooper Walker's Historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation -- $g3.$t"The united powers of female poesy and music" : Charlotte Brooke's Reliques of Irish poetry -- $g4.$tSequels of colonialism : Edward Bunting, the Ancient Irish music, and the cultural politics of performance -- $g5.$tPatriotism and "woman's sentiment" in Sydney Owenson's Hibernian melodies and The wild Irish girl -- $g6.$tA "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace -- $g7.$tIn Moore's wake : Irish music in Ireland after the Irish melodies -- $g8.$tIrish music, British culture, and the transatlantic experience.
650 0 $aMusic$zIreland$y18th century$xHistory and criticism.
650 0 $aMusic$zIreland$y19th century$xHistory and criticism.
650 0 $aPopular culture$zIreland$xHistory.
650 0 $aGender identity$zIreland.
852 00 $boff,mus$hML287$i.D38 2006
852 00 $bbar,stor$hML287$i.D38 2006