MARC record from Internet Archive

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003 OCoLC
005 20220120115947.0
008 040917r20032002enka 000 0 eng d
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020 $a0140297960
020 $a9780140297966
035 $a(OCoLC)492391188$z(OCoLC)52456292$z(OCoLC)717996760$z(OCoLC)828288131$z(OCoLC)972509741$z(OCoLC)978646259$z(OCoLC)978690497$z(OCoLC)992278860
043 $ae-ur---
050 4 $aDK32$bF471N 2003
082 04 $a947$221
084 $a15.70$2bcl
084 $a947.1$aBCUDlh$2clasbcud
100 1 $aFiges, Orlando,$d(1959- ...)
245 10 $aNatasha's dance$h[Texte imprimé] :$ba cultural history of Russia /$cOrlando Figes.
260 $aLondon :$bPenguin,$c2003.
300 $a768 pages :$billustrations ;$c20 cm
336 $atexte$btxt$2rdacontent/fre
337 $asans médiation$bn$2rdamedia/fre
338 $avolume$bnc$2rdacarrier/fre
500 $aPublication originale : London: Allen Lane, 2002.
505 0 $a1. European Russia -- 2. Children of 1812 -- 3. Moscow! Moscow! -- 4. The Peasant Marriage -- 5. In Search of the Russian Soul -- 6. Descendants of Genghiz Khan -- 7. Russia Through the Soviet Lens -- 8. Russia Abroad.
520 1 $a"Orlando Figes's A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, this internationally renowned historian does the same for Russian culture, summoning the myriad elements that formed a nation and held it together."
520 8 $a"Beginning in the eighteenth century with the building of St. Petersburg - a "window on the West"--And culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its, character, spiritual essence, history, and destiny. What did it mean to be Russian - an illiterate serf or an imperial courtier? And where was the true Russia - in Europe or in Asia? Figes skillfully interweaves the great works - by Dostoevsky and Chekhov, Stravinsky and Chagall - with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from eating, drinking, and bathing habits to beliefs about death and the spirit world.
520 8 $aHis fascinating characters range high and low; the revered Tolstoy, who left his deathbed to search the wilderness for the Kingdom of God; the serf girl Praskovya, who became Russian opera's first superstar, won the heart of her owner, and shocked society by becoming his wife; the composer Stravinsky, who returned to Russia after fifty years in the West and discovered that the homeland the had left had never left his heart."--Jacket.
651 0 $aRussia$xCivilization.
651 0 $aSoviet Union$xCivilization.
651 0 $aFormer Soviet republics$xCivilization.
650 7 $aCivilization.$2fast$0(OCoLC)fst00862898
651 7 $aRussia.$2fast$0(OCoLC)fst01207312
651 7 $aSoviet Union.$2fast$0(OCoLC)fst01210281
651 7 $aSoviet Union$zFormer Soviet republics.$2fast$0(OCoLC)fst01262458
650 17 $aCultuurgeschiedenis.$2gtt
651 7 $aRussie$xCivilisation.$2ram
651 7 $aURSS$xCivilisation.$2ram
651 7 $aEx-URSS$xCivilisation.$2ram
856 41 $3Inhaltsverzeichnis$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=010463037&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$v20090731000000
856 41 $3Table of contents$qapplication/pdf$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=010463037&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$v20090731000000
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