MARC record from Internet Archive

LEADER: 03931cam 2200529Ia 4500
001 ocm60246062
003 OCoLC
005 20220516175927.0
008 050505s2002 caua 000 0 eng d
010 $a 78068478
040 $aJPL$beng$cJPL$dBAKER$dYDXCP$dOCLCG$dBDX$dBUR$dOCLCF$dOCLCQ$dOCLCA$dWLU$dACO$dUKUOY$dCHVBK$dOCLCO$dOCLCQ$dMSO$dOCL$dHQ1$dOCLCO
020 $a096297093X
020 $a9780962970931
024 8 $a99821063171
035 $a(OCoLC)60246062
050 14 $aPN2061$b.M589 2002b
082 04 $a792/.028$221
100 1 $aMorris, Eric,$d1931-
245 10 $aNo acting, please /$cEric Morris and Joan Hotchkis ; [foreword by Jack Nicholson].
246 1 $iSubtitle on cover:$a"Beyond the method"
246 1 $iAdditional subtitle on cover:$aA revolutionary approach to acting and living
260 $aLos Angeles, Calif. :$bErmor Enterprises :$bDistributed by S.C.B.,$c©2002.
300 $a174 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aA collection of 125 acting exercises based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles--tensions, fears, inhibitions--and explore the "being" state, where the actor does no more and no less than what he or she feels. As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory--what it is, and how to practice it and apply it as an acting tool.--From publisher description.
505 2 $aBeing -- On being -- Taped excerpt from being exercise -- Being exercise critique -- From Joan's journal, 1970 -- Being in relation to scene work -- From Joan's journal, 1972 -- Different being states -- Being exercises -- Getting ready to get ready -- Tension: how it affects the actor -- From Joan's journal, Tuesday, April 4, 1972 -- Causes of tension -- The "actress" -- Dealing with tension -- The physical relaxers -- The involvement group -- Internal awareness -- External awareness -- Purposes of the farmer's market exercise -- Sensory awareness -- Getting to the deeper self -- Getting related to people on and off the stage -- The round exercises -- Two-people relationship exercise -- Common sensory acting -- Sense memory -- Application of sense memory -- About the sense memory exercise -- Sense memory checklist -- Marathon: sense memory round -- Finding your best time and place to work -- Sensory exploration and experimentation -- Working with meaningful objects -- Obligation and choice -- Using sense memory in scene work -- The rewards of sense memory -- Preparation -- "Methinks I hear a cannon" -- Misunderstanding preparation -- Begin by being -- Daily practice -- I. Instrumental preparations -- Dialogue on craft -- Dialog on vulnerability -- II. Preparations for relating to people, objects and places -- III. Preparations for doing the role -- From Joan's journal: using preparation on the job.
650 0 $aActing.
650 0 $aActing$xStudy and teaching.
650 0 $aMethod acting$xStudy and teaching.
650 7 $aPerforming Arts.$2eflch
650 7 $aActing$xStudy and teaching.$2fast$0(OCoLC)fst00796162
650 7 $aActing.$2fast$0(OCoLC)fst00796146
650 7 $aSchauspielkunst$2gnd
700 1 $aHotchkis, Joan.
938 $aBaker & Taylor$bBKTY$c13.95$d10.46$i096297093X$n0002641922$sactive
938 $aBrodart$bBROD$n48664731$c$13.95
938 $aYBP Library Services$bYANK$n1904226
029 1 $aAU@$b000050892524
029 1 $aNZ1$b8742017
029 1 $aUKDEL$b134258797
029 1 $aUNITY$b134258797
029 1 $aCHVBK$b530204916
029 1 $aCHDSB$b006842373
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 69 OTHER HOLDINGS