MARC record from Internet Archive

LEADER: 04205cam 22007094a 4500
001 ocm53336222
003 OCoLC
005 20220119035511.0
008 030401s2003 ctua b 001 0 eng
010 $a 2003104780
040 $aDLC$beng$cDLC$dLVC$dWCM$dUAB$dYBM$dBAKER$dBTCTA$dLVB$dYDXCP$dUQ1$dK6U$dCPE$dHEBIS$dCNKEY$dBDX$dOCLCF$dS3O$dOCLCO$dOCL$dUV1$dOCLCQ$dBGAUB$dUKTTE$dOCLCO
015 $aGBA3V5700$2bnb
016 7 $a1856692299$2Uk
020 $a0300100345
020 $a9780300100341
020 $a1856692299
020 $a9781856692298
035 $a(OCoLC)53336222
042 $apcc
050 00 $aNC998.45.P67$bP69 2003
080 $a766 POY
082 04 $a741.6$221
100 1 $aPoynor, Rick.
245 10 $aNo more rules :$bgraphic design and postmodernism /$cRick Poynor.
260 $aNew Haven, CT :$bYale University Press,$c©2003.
300 $a192 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"First published in Great Britain in 2003 by Laurence King Publishing Ltd, London"--Title page verso.
504 $aIncludes bibliographical references (pages 180-183) and index.
505 0 $aOrigins -- Deconstruction -- Appropriation -- Techna -- Authorship -- Opposition.
520 1 $a"The past twenty years have seen profound changes in the field of graphic communication. One by one, old certainties about the techniques and purposes of graphic design have been questioned and collapsed. No More Rules is the first critical survey to offer a complete overview of the graphic revolution during the postmodern period." "According to design critic Rick Poynor, changes in graphic work were already well underway by the early 1980s, even before the computer became a ubiquitous tool. With the international embrace of new electronic technologies in the 1990s, these developments began to accelerate. An explosion of creativity in graphic design took place as designers and typographers reassessed their roles, jettisoned existing rules, and forged experimental new approaches. Graphic work became more self-expressive, idiosyncratic, and occasionally extreme." "Poynor tells this story in detail, breaking down a broad, multifaceted, and sometimes confusing field of graphic design activity into key developments and themes: the origins of postmodern design; deconstructionist design and theory; issues of appropriation; the revolution in digital type; questions of authorship; and critiques of postmodern graphic design. Each theme is illustrated by spectacular and significant examples of work produced between 1980 and 2000 that have changed the way in which designers and their audiences think about graphic communication. This generously illustrated book is a vital reference for design professionals and educators as well as for students of graphic design, image-making, advertising, and the visual arts."--Jacket.
650 0 $aGraphic arts$xHistory$y20th century.
650 0 $aPostmodernism.
650 6 $aArts graphiques.
650 7 $aGraphic arts.$2fast$0(OCoLC)fst00946595
650 7 $aPostmodernism.$2fast$0(OCoLC)fst01073164
650 7 $aTypographie.$2rasuqam
650 7 $aPostmodernisme.$2rasuqam
650 7 $aArts graphiques.$2rasuqam
650 7 $aBruksgrafik.$2sao
650 7 $aGrafisk formgivning.$2sao
650 7 $aPostmodernism.$2sao
650 7 $aPostmoderne$2gnd
650 7 $aGebrauchsgrafik$2gnd
651 7 $aUSA.$2swd
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
856 $uhttp://library.aubg.bg/LibOnline/RM/bookjackets/NoMoreRulesGraphicDesign.jpg
938 $aBaker & Taylor$bBKTY$c37.00$d27.75$i0300100345$n0004241719$sactive
938 $aBrodart$bBROD$n01676717$c$40.00
938 $aBaker and Taylor$bBTCP$n2003104780
938 $aYBP Library Services$bYANK$n2005376
029 1 $aAU@$b000025535357
029 1 $aAU@$b000025917027
029 1 $aDEBBG$bBV039656282
029 1 $aHEBIS$b115146601
029 1 $aNZ1$b7863916
029 1 $aYDXCP$b2005376
994 $aZ0$bP4A
948 $hHELD BY P4A - 916 OTHER HOLDINGS