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MARC record from Internet Archive

LEADER: 03283cam 22005894a 4500
001 ocm52819641
003 OCoLC
005 20121130121803.0
008 030729s2003 nyu 001 0deng
010 $a 2003058543
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020 $a0312308639
020 $a9780312308636
035 $a(OCoLC)52819641
042 $apcc
050 00 $aML3534$b.G75 2003
082 00 $a781.66$222
084 $a9,2$2ssgn
100 1 $aGreenwald, Andy.
245 10 $aNothing feels good :$bpunk rock, teenagers, and emo /$cAndy Greenwald.
250 $a1st ed.
260 $aNew York :$bSt. Martin's Griffin,$c2003.
300 $axii, 321 p. ;$c24 cm.
500 $aIncludes index.
520 $aWhile pundits bemoan the death of the music industry and decry teenagers for their morals, earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship--between young people and the empathetic music that sets them off down a road of self-discovery and self-definition--is emo, a much-maligned, misunderstood term that has existed for nearly two decades, but has flourished only recently. Here, Andy Greenwald makes the case for emo as more than a genre--it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, and from the diary to the computer screen, he narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line.--From publisher description.
650 0 $aPunk rock music$xHistory and criticism.
650 0 $aMusic and teenagers.
650 0 $aEmo (Music)$xHistory and criticism.
650 07 $aPunk Rock$2swd
650 07 $aJugendkultur$2swd
650 07 $aGeschichte.$2swd
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/bios/hol052/2003058543.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/hol041/2003058543.html
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948 $hNO HOLDINGS IN PMR - 475 OTHER HOLDINGS