MARC record from Internet Archive

LEADER: 02410cam a2200493 a 4500
001 34131844
003 OCoLC
005 20151005021800.0
008 960206s1995 enk bk 001 0 eng d
010 $a95069746
020 $a185242382X (pbk.)
020 $a1852427434$q(paperback)
020 $a9781852427436$q(paperback)
035 $a34131844
035 $a(OCoLC)34131844
035 $aDBSRVR::LCMARC/AUZ-6539/DAVIDMACF
040 $aWaPS$cDLC$dSFR$dOCoLC$dUtOrBLW
042 $alccopycat
050 00 $aML197$b.T66 1995
082 00 $a780/.9/04$221
092 $a780.904$bT619o
100 1 $aToop, David.
245 10 $aOcean of sound :$baether talk, ambient sound and imaginary worlds /$cDavid Toop.
260 $aLondon ;$aNew York :$bSerpent's Tail,$c1995.
300 $a306 p. ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aSome copies: "A five star paperback"--Back cover.
504 $aIncludes bibliographical references (p. [281]-286), discography (p. [287]-294), and index.
520 $aOcean of sound begins in 1889 at the Paris Exposition when Debussy first heard Javanese music performed. It goes on to comprehensively map a whole century of ambient music and its legacy.
650 0 $aMusic$y20th century$xHistory and criticism.
650 0 $aMusic$xPhilosophy and aesthetics.
907 $a.b16076266$b11-21-18$c07-20-03
998 $axam$b07-01-03$cm$da $e-$feng$genk$h0$i6
957 00 $aOCLC reclamation of 2017-18
907 $a.b16076266$b07-23-15$c07-20-03
956 $aPre-reclamation 001 value: ocm34131844
999 $yMARS
998 $axam$b07-01-03$cm$da$e-$feng$genk$h0$i3
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945 $a780.904$bT619o$d - - $e - - $f0$g0$h - - $i31223122305429$j0$00$k - - $lxamci$o-$p$15.00$q-$r-$s- $t1$u0$v0$w0$x0$y.i92473039$z11-14-17
945 $a780.904$bT619o$d - - $e - - $f0$g0$h - - $i31223122305411$j0$00$k - - $lxamci$o-$p$15.00$q-$r-$s- $t1$u0$v0$w0$x0$y.i92473040$z11-14-17
945 $a780.904 T619o$d - - $e - - $f0$g0$h - - $i31223047626024$j0$00$k - - $lxamst$nMissing as of 2018-06-29$o-$p$17.00$q-$r-$sm $t1$u0$v0$w0$x0$y.i27670181$z08-06-03