MARC record from Internet Archive

LEADER: 04485cam 2200721 a 4500
001 ocm29225232
003 OCoLC
005 20180911160259.0
008 931004s1994 nyua bq 001 0 eng
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020 $a0805793267$q(alk. paper)
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020 $a0805793321$q(pbk. ;$qalk. paper)
020 $a9780805793321$q(pbk. ;$qalk. paper)
035 $a(OCoLC)29225232
050 00 $aPN1998.3.S76$bB43 1994
082 00 $a791.43/0233/092$220
084 $a24.01$2bcl
100 1 $aBeaver, Frank Eugene.
245 10 $aOliver Stone :$bwakeup cinema /$cFrank Beaver.
260 $aNew York :$bTwayne Publishers ;$aToronto :$bMaxwell Macmillan Canada ;$aNew York :$bMaxwell Macmillan International,$c℗♭1994.
300 $axvi, 243 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTwayne's filmmakers series
504 $aFilmography: pages 235-238.
504 $aIncludes bibliographical references (pages 200-234) and index.
530 $aAlso issued online.
505 0 $a1. Making Sense of the Oliver Stone Prism -- 2. Early Efforts: Seizure, Midnight Express, The Hand -- 3. Writing for the Establishment: Conan the Barbarian, Scarface, Year of the Dragon, 8 Million Ways to Die -- 4. Salvador -- 5. Platoon -- 6. Wall Street -- 7. Talk Radio -- 8. Born on the Fourth of July -- 9. The Doors -- 10. JFK -- 11. Final Analysis and Ensuing Issues.
520 $aOliver Stone is a master of in-your-face movie making. In picture after picture - in what the director refers to as "wakeup cinema"--He takes on big, controversial topics and verges on filmic assault of the audience to drive home his point of view.
520 8 $aStone's artistic warfare, evidenced in such widely seen films as Platoon and JFK, has brought him acclaim as one of the few commercially successful Hollywood directors unafraid to make bold, meaningful films and has brought him criticism as a self-anointed sayer of the truth on whatever subject his eye comes to rest.
520 8 $aHis provocative style has triggered an enormous critical response, with interviews, reviews, and commentaries numbering in the thousands - remarkable especially for a filmmaker whose first noteworthy film, Salvador, opened in 1986. In this thoroughgoing assessment of Stone's life and work, Frank Beaver not only uses the rich response to the films to inform his own analysis but makes the case that the director has used it as well.
520 8 $aThere is, Beaver suggests, "a telling symbiosis between critical response and ongoing practice in Stone's emergence as a unique director." Beaver explores the way in which criticism has undeniably helped to shape the course of Stone's ideas and filmmaking techniques.
600 10 $aStone, Oliver$xCriticism and interpretation.
600 16 $aStone, Oliver$xCritique et interpre tation.
600 17 $aStone, Oliver.$2fast$0(OCoLC)fst00193240
600 17 $aStone, Oliver.$2swd
600 14 $aStone, Oliver.
653 0 $aStone, Oliver$aCriticism and interpretation
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aBeaver, Frank Eugene.$tOliver Stone.$dNew York : Twayne Publishers ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, ℗♭1994$w(OCoLC)623894393
830 0 $aTwayne's filmmakers series.
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780805793321.pdf
880 4 $6264-00$c��1994
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994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 770 OTHER HOLDINGS