MARC record from Internet Archive

LEADER: 04168cam 2200661 a 4500
001 ocm34078972
003 OCoLC
005 20211007193021.0
008 960102s1996 nyua b 001 0 eng
010 $a 96004106
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035 $a(OCoLC)34078972
050 00 $aPN1997.G59$bH36 1996
080 $a791.43(73)FLE
082 00 $a791.43/72$220
100 1 $aHarmetz, Aljean.
245 10 $aOn the road to Tara :$bthe making of Gone with the wind /$cAljean Harmetz.
260 $aNew York :$bH.N. Abrams,$c1996.
300 $a224 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (page 219) and index.
520 $aGone with the wind is one of the most popular and oft-discussed movies of all time, but never has the story of the making of this Academy Award-winning classic been reconstructed in such rich visual detail as in this fascinating new book. In a lively and absorbing chronicle, Harmetz makes the immensity of Selznick's task come alive: How should Tara look? How should Scarlett O'Hara wear her hair? How could the dramatic burning of a city as large as Atlanta be captured on.
520 $aFilm? And how was Rhett Butler going to say, "Frankly, my dear, I don't give a damn," when the Production Code of the day forbade the use of expletives? The answers are found here, in photographs of Vivien Leigh in various wigs, in sketches for many different versions of Tara, in letters showing how Selznick threatened and cajoled the authorities for months over Rhett's famous line, and much, much more. On the Road to Tara brings to light prospective casting lists.
520 $aActual pages from original scripts and rewrites with the producer's and writers' notations; miniature sets; costume sketches with fabric swatches; finished costumes that were never worn; makeup tests; storyboards; matte paintings; architectural, technical, and construction drawings for false fronts that were as carefully planned as any actual building; personal snapshots - not just familiar publicity stills - taken by the studio's staff photographer, Fred Parrish, of.
520 $aBoth cast and crew; and many of Selznick's famous memos that record the indecision and inspiration behind the thousands of choices he made - and remade - up to and through the release of this epic film.
505 0 $aScripts: Never hire one writer when eleven writers will do -- Tara -- Burning -- Censorship: Everyone except Rhett Butler gave a damn -- Production.
600 10 $aO'Hara, Scarlett$c(Fictitious character)
630 01 $aGone with the wind (Motion picture)
650 4 $aGone with the Wind (motion picture)$xFilm$xHistory & Criticism$xPerforming arts.
600 17 $aO'Hara, Scarlett$c(Fictitious character)$2fast$0(OCoLC)fst01042559
630 07 $aGone with the wind$2gnd
650 7 $aDreharbeit$2gnd
653 0 $aGone with the wind (Motion picture)
653 0 $aMotion pictures$aUnited States
653 0 $aO'Hara, Scarlett (Fictitious character)
776 08 $iOnline version:$aHarmetz, Aljean.$tOn the road to Tara.$dNew York : H.N. Abrams, 1996$w(OCoLC)679576523
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948 $hNO HOLDINGS IN P4A - 581 OTHER HOLDINGS