MARC record from Internet Archive

LEADER: 02360cam a22004938i 4500
001 008186895
005 20180222081650.0
008 170811s2018 ncu b 001 0 eng c
010 $a 2017035990
020 $a9780822368557$q(hardcover : alk. paper)
020 $a0822368552
020 $a9780822368670$q(pbk. : alk. paper)
020 $a0822368676
035 $a1005189415
035 $a(OCoLC)1005189415$bMiAaHDL
040 $aNcD/DLC$beng$erda$cDLC$dYDX$dBDX$dOCLCF$dOCLCO
042 $apcc
043 $acl-----
049 $aNDDP
050 00 $aML3917.L29$bD677 2018
082 00 $a780.98$223
100 1 $aDorr, Kirstie A.,$d1972-$eauthor.
245 10 $aOn site, in sound :$bperformance geographies in América Latina /$cKirstie A. Dorr.
263 $a1802
264 1 $aDurham :$bDuke University Press,$c2018.
300 $a241 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRefiguring American music
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Thinking site in sound -- Sounding place over time: on the sonic transits of "el ccentndor pasa" -- Putumayo and its discontents: the Andean music industry as a world music geography -- (Inter)national stages, mujeres bravas, and the spatial politics of diaspora -- "You can't have a revolution without songs": neighborhood soundscapes and multiscalar activism in La Misicentn -- Epilogue: Musical pirates, sonic debts, and future geographies of transit.
650 0 $aMusic and globalization$zLatin America.
650 0 $aMusic$xSocial aspects$zLatin America.
650 0 $aMusic$xPolitical aspects$zLatin America.
650 0 $aMusic$zLatin America$xHistory and criticism.
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusic and globalization.$2fast$0(OCoLC)fst01030477
650 7 $aMusic$xPolitical aspects.$2fast$0(OCoLC)fst01030414
650 7 $aMusic$xSocial aspects.$2fast$0(OCoLC)fst01030444
651 7 $aLatin America.$2fast$0(OCoLC)fst01245945
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aDorr, Kirstie A., 1972- author.$tOn site, in sound$dDurham : Duke University Press, 2018$z9780822372653$w(DLC) 2017041722
830 0 $aRefiguring American music.