MARC record from Internet Archive

LEADER: 06375cam 2200973 a 4500
001 ocm49576350
003 OCoLC
005 20221108131933.0
008 020405s2002 paua bc 001 0 eng
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043 $ae------
050 00 $aNE625$b.D33 2002
082 00 $a769.943/074/7526$221
084 $a21.32$2bcl
084 $acci1icc$2lacc
100 1 $aDackerman, Susan.
245 10 $aPainted prints :$bthe revelation of color in Northern Renaissance & Baroque engravings, etchings & woodcuts /$cSusan Dackerman ; with an essay by Thomas Primeau ; catalogue entries by Deborah Carton [and others].
260 $aUniversity Park, Pa. :$bPennsylvania State University Press,$c©2002.
300 $axii, 297 pages :$bcolor illustrations ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at the Baltimore Museum of Art on October 6, 2002-January 5, 2003 and the Saint Louis Museum of Art 14 February-18 May 2003.
504 $aIncludes bibliographical references (pages 279-285) and index.
505 0 $aIntroduction: rediscovering painted prints / Susan Dackerman -- Painted prints in Germany and the Netherlands / Susan Dackerman -- The materials and technology of Renaissance and Baroque hand-colored prints / Thomas Primeau.
520 1 $a"A Renaissance print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of early prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning." "Published in conjunction with an exhibition organized by The Baltimore Museum of Art, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Anonymous woodcuts are juxtaposed with masterworks by such famed artists as Durer, Holbein, and Goltzius. These prints, secular as well as religious, muted as well as vibrant in tonality, make it clear that hand coloring was a widespread, enduring practice, developed to satisfy the demands of both elite and popular audiences." "Painted Prints presents new research into the artists who specialized in hand coloring and offers insights into the social and economic organization of Renaissance and Baroque printmaking. It also draws on scientific analyses of the materials and techniques of hand coloring to address important questions of authenticity, chronology, and condition. With a catalogue and color illustrations of all the hand-colored prints in the exhibition, this book makes a groundbreaking contribution to the study of Renaissance prints and their pivotal place in the visual culture of early modern Europe."--Jacket.
650 0 $aPrints, European$vExhibitions.
650 0 $aPrints, Renaissance$zEurope, Northern$vExhibitions.
650 0 $aPrints, Baroque$zEurope, Northern$vExhibitions.
650 0 $aPrints$xColoring$vExhibitions.
650 6 $aEstampes européennes$zEurope septentrionale$vExpositions.
650 6 $aEstampe de la Renaissance$zEurope septentrionale$vExpositions.
650 6 $aEstampe baroque$zEurope septentrionale$vExpositions.
650 6 $aEstampe$xColoration$vExpositions.
650 6 $aEstampe européenne$vExpositions.
650 7 $aPrints, Baroque.$2fast$0(OCoLC)fst01076863
650 7 $aPrints$xColoring.$2fast$0(OCoLC)fst01076815
650 7 $aPrints, European.$2fast$0(OCoLC)fst01076896
650 7 $aPrints, Renaissance.$2fast$0(OCoLC)fst01076951
651 7 $aNorthern Europe.$2fast$0(OCoLC)fst01245081
650 17 $aPrenten.$2gtt
650 17 $aKleuren.$2gtt
650 7 $aPrints, European$zEurope, Northern$vExhibitions.$2nli
650 7 $aPrints, Renaissance$zEurope, Northern$vExhibitions.$2nli
650 7 $aPrints, Baroque$zEurope, Northern.$2nli
650 7 $aPrints$xColoring$vExhibitions.$2nli
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
655 2 $aCatalog
655 4 $aExhibition catalogues.
655 07 $cv$aExhibition catalogs.$2aat
655 7 $aexhibition catalogs.$2aat
655 7 $acatalogs (documents)$2aat
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
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655 7 $aCatalogs.$2lcgft
655 7 $aCatalogues d'exposition.$2rvmgf
655 7 $aCatalogues.$2rvmgf
776 08 $iOnline version:$aDackerman, Susan.$tPainted prints.$dUniversity Park, Pa. : Pennsylvania State University Press, ©2002$w(OCoLC)606890224
856 42 $zOnline version of exhibition freely available$aBaltimore Museum of Art$uhttp://www.artbma.org/exhibitions/online.html
856 4 $uhttp://www.psupress.org/books/titles/0-271-02234-5.html
856 4 $uhttp://www.codart.nl/exhibitions/details/486/
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948 $hNO HOLDINGS IN GTX - 587 OTHER HOLDINGS