MARC record from Internet Archive

LEADER: 02122cam 2200517 i 4500
001 ocn769473149
003 OCoLC
005 20191220204311.0
008 190305s2012 enka b 001 0 eng
010 $a 2018419719
040 $aDLC$beng$erda$cDLC$dBDX$dGZD$dCPL$dYDXCP$dOCLCF$dNZAUC$dNZROP$dUKMGB$dDCT
015 $aGBB1E5129$2bnb
016 7 $a015996278$2Uk
020 $a9781847973573
020 $a1847973574
035 $a(OCoLC)769473149
042 $apcc
050 00 $aND1290$b.V64 2012
072 7 $aART$2eflch
080 $a753.2
082 04 $a751.45$223
100 1 $aVohora, Atul,$eauthor.
245 10 $aPainting the human figure :$bideas and perception /$cAtul Vohora.
264 1 $aMarlborough [England] :$bThe Crowood Press Ltd,$c2012.
300 $a144 pages :$billustrations (chiefly color) ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (page 138) and index.
505 0 $aColour -- Composition -- On making -- The frozen moment -- Mark, touch and form -- On narrative -- Word and image -- The best tunes -- The mirror.
520 $aFrom the very beginnings of human existence, the urge to make images of people has been a fundamental part of being. Paintings of people have continued to evolve through to the present time. This new book focuses on some of those paintings, and places the idea of looking at painting at the very centre of the process of making paintings.
650 0 $aFigure painting.
650 0 $aHuman figure in art.
650 7 $aFigure painting.$2fast$0(OCoLC)fst00924082
650 7 $aHuman figure in art.$2fast$0(OCoLC)fst01896063
938 $aYBP Library Services$bYANK$n7277032
938 $aBrodart$bBROD$n103029435
029 1 $aUKMGB$b015996278
029 1 $aUNITY$b126382905
029 1 $aUKDOR$b126382905
029 1 $aNZ1$b14280836
029 1 $aNZ1$b14277253
029 1 $aAU@$b000049661273
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 85 OTHER HOLDINGS