MARC record from Internet Archive

LEADER: 03765cam 2200721 i 4500
001 ocn833278928
003 OCoLC
005 20220917112536.0
008 130125s2013 enka 001 0 eng c
040 $aUNITY$beng$erda$cUNITY$dOCLCO$dOCLCQ$dOCLCO$dYDXCP$dOCLCF$dUKMGB$dUBY$dCNEDM$dBTCTA$dHSA$dOQX$dWIQ$dOCL$dOCLCQ$dQQ3$dMDO$dOCLCO
015 $aGBB308822$2bnb
016 7 $a016262021$2Uk
019 $a825181733$a826659880$a869782457
020 $a9781849940719$q(hbk.)
020 $a1849940711$q(hbk.)
020 $a1440331421
020 $a9781440331428
035 $a(OCoLC)833278928$z(OCoLC)825181733$z(OCoLC)826659880$z(OCoLC)869782457
042 $apcc
050 4 $aND1342$b.C87 2013
082 04 $a751.4$223
100 1 $aCurtis, David,$d1948-$epainter.
245 10 $aPainting on location /$cDavid Curtis, Robin Capon.
264 1 $aCincinnati, Ohio :$bNorth light Books,$c[2013]
300 $a128 pages :$bcolor illustrations ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
505 0 $aIntroduction -- 1. The great outdoors (Painters and plein-air work ; Scope and advantages ; Practical considerations) -- 2. Travelling light (Equipment ; First impressions) -- 3. Alla prima (Wet on wet ; Key shapes ; Freedom and control ; Descriptive washes) -- 4. Capturing the essence (Appeal ; Strong design ; Light effects ; Colour and mood ; A personal response) -- 5. Speed and confidence (Scale and format ; Time ; Varied challenges) -- 6. Subjects and locations (Variety ; Assessing subjects ; A sense of place) -- 7. Taking it further (Evaluation ; The middle way ; Plein-air and studio work).
520 $a"Discusses and demonstrates [the author's] approach to painting outside on location. He paints on site whenever possible as he finds that working directly from the subject gives his work a sense of immediacy, dynamism, light and drama. Many artists are interested in painting outside but lack the confidence to successfully work in this way. Here David shows how to develop the necessary skills. He looks at every aspect, from preliminary planning to appropriate painting techniques and, above all, how to capture the essence of the scene in front of you. He includes location sketching as well as advice on essential equipment to take with you"--Publisher's description.
650 0 $aPlein air painting$xTechnique.
650 0 $aLandscape painting$xTechnique.
650 0 $aPainting$xTechnique.
650 0 $aArt$xStudy and teaching.
650 6 $aPeinture de plein air$xTechnique.
650 6 $aPeinture de paysages$xTechnique.
650 6 $aArt$xÉtude et enseignement.
650 7 $aart education.$2aat
650 7 $aArt$xStudy and teaching.$2fast$0(OCoLC)fst00815338
650 7 $aLandscape painting$xTechnique.$2fast$0(OCoLC)fst00991958
650 7 $aPainting$xTechnique.$2fast$0(OCoLC)fst01050624
650 7 $aPlein air painting$xTechnique.$2fast$0(OCoLC)fst01067139
655 4 $aNonfiction.
700 1 $aCapon, Robin,$eauthor.
938 $aBaker and Taylor$bBTCP$nBK0012718364
938 $aYBP Library Services$bYANK$n9988361
938 $aYBP Library Services$bYANK$n9804101
029 0 $aUNITY$b128480165
029 1 $aAU@$b000051677059
029 1 $aAU@$b000051728958
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029 1 $aCBK$b128480165
029 1 $aNZ1$b14851547
029 1 $aUKBOR$b128480165
029 1 $aUKDEL$b128480165
029 1 $aUKDEL$b134352785
029 1 $aUKDOR$b128480165
029 1 $aUKTLS$b128480165
029 1 $aUNITY$b134352785
994 $aZ0$bGTX
948 $hNO HOLDINGS IN GTX - 137 OTHER HOLDINGS