MARC record from Internet Archive

LEADER: 02481cam a2200361 a 4500
001 9925390509901661
005 20190613101752.0
008 970131s1997 enk b 001 0 eng
010 $a 97002480
020 $a0340652268$q(hb)
020 $a9780340652268$q(hb)
020 $a034065225X$q(pb)
020 $a9780340652251$q(pb)
035 $a(OCoLC)36330868
035 $a(OCoLC)ocm36330868
040 $aDLC$beng$cDLC$dBAKER$dNLGGC$dBTCTA$dYDXCP$dGEBAY$dALAUL$dBDX$dZWZ$dOCLCF$dOCLCQ$dOCL$dDEBBG$dOCLCQ$dI8M$dOCLCO$dOCLCQ$dWLU$dOCLCO$dDHA$dOCLCQ$dCPO$dOCLCO$dOCLCQ$dBGU$dOCLCO$dAU@$dOCLCO$dOCLCQ$dAZU$dCNU
049 $aCNUM
050 00 $aPN1995.9.W6$bT44 1997
100 1 $aThornham, Sue.
245 10 $aPassionate detachments :$ban introduction to feminist film theory /$cSue Thornham.
246 10 $aIntroduction to feminist film theory
260 $aLondon ;$aNew York :$bArnold ;$aNew York :$bDistributed exclusively in the USA by St. Martin's Press,$c1997.
300 $axvii, 204 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 181-194) and index.
505 0 $aIntroduction: passionate detachments --- Forerunners and beginnings --- Structures of fascination: ideology, representation, and the unconscious --- Female spectators, melodrama, and the "Woman's film" --- Negotiating the text: spectator positions and audience readings --- Fantasy, horror, and the body --- Re-reading difference(s) 1: conceiving lesbian desire --- Re-reading difference(s) 2: race, representation, and feminist theory --- Postmodern skepticism.
520 $aSue Thornham is Professor of Media and Film Studies at the University of Sussex, UK. "Passionate Detachments "traces the key developments and debates in feminist film theory over the past twenty-five years. Beginning with the work on stereotypes of women from the early 1970s and moving to the most recent debates within cultural criticism, it charts the relationship of feminist film theory to the contexts from which it arises--and to which it offers a profound challenge. From arguments about "the male gaze" to work on fantasy, horror, and the body, each chapter presents a clear and detailed critical account of a key area of debate.
650 0 $aWomen in motion pictures.
650 0 $aFeminism and motion pictures.
650 0 $aFeminist film criticism.
994 $aC0$bCNU