MARC record from Internet Archive

LEADER: 02199cam 2200337 a 4500
001 9920335750001661
005 20150423125507.0
008 110110s2011 nyua b 001 0 eng
010 $a 2010054594
020 $a9781604977455 (alk. paper)
020 $a1604977450 (alk. paper)
035 $a(CSdNU)u441061-01national_inst
035 $a(OCoLC)696773084
035 $a(OCoLC)696773084
035 $a(OCoLC)696773084
040 $aDLC$cDLC$dYDX$dYDXCP$dBWX
042 $apcc
049 $aCNUM
050 00 $aPN1998.3.H3695$bR39 2011
082 00 $a791.4302/33092$222
100 1 $aRawle, Steven.
245 10 $aPerformance in the cinema of Hal Hartley /$cSteven Rawle.
260 $aAmherst, N.Y. :$bCambria Press,$cc2011.
300 $axv, 341 p. :$bill ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aPreface -- Introduction : the cinema of Hal Hartley and performance -- Critical approaches realism. Abstraction and empathy -- Abstraction-alienation-distanciation -- Performance -- The quality or state of being changeable. Trust: vicissitude -- The unbelievable truth: a performance of gender -- Tonality and the "mannequin" performer -- Dance. Surviving desire: dance, performance, and cultural images -- Simple men: dichotomies of performed images -- "There's only trouble and desire". Simple men: the failure of masculine performance -- Amateur: performing violence -- "The world is a dangerous and uncertain place" -- Flirt: images and difference -- Henry Fool: gesture as characterisation -- No such thing and the fictionality of performance -- Possible films. Hal Hartley: digital auteur -- The book of life and the performance of the image -- The new math(s) and the performance of "dynamic space" -- The girl from monday and the romantic performance of stillness -- Fay Grim and the play with genre -- Post-script: possible films 2. Conclusions.
600 10 $aHartley, Hal,$d1959-$xCriticism and interpretation.
947 $fHUMANITIES$hCIRCSTACKS$p$103.19$q1
949 $aPN1998.3.H3695 R39 2011$i31786102544423
994 $a92$bCNU
999 $aPN 1998.3 .H3695 R39 2011$wLC$c1$i31786102544423$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u5/13/2011