MARC record from Internet Archive

LEADER: 04706cam a2200925 a 4500
001 ocm45137514
003 OCoLC
005 20191109072024.9
008 000922s2001 nyu b 001 0 eng
010 $a 00048772
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035 $a(OCoLC)45137514
037 $bPeter Lang Pub Inc, 29 Broadway, New York, NY, USA, 10006, (212)6477700$nSAN 241-5534
043 $an-us---
050 00 $aE185.86$b.D55 2001
072 7 $aE$2lcco
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084 $a9,2$2ssgn
084 $aLB 42610$2rvk
084 $aLB 61000$2rvk
084 $aMS 2350$2rvk
049 $aMAIN
100 1 $aDimitriadis, Greg,$d1969-
245 10 $aPerforming identity/performing culture :$bhip hop as text, pedagogy, and lived practice /$cGreg Dimitriadis.
260 $aNew York :$bP. Lang,$c©2001.
300 $axvii, 148 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aIntersections in communications and culture ;$vvol. 1
504 $aIncludes bibliographical references (pages 129-137) and index.
505 0 $aHip Hop to Rap: from live performance to mediated narrative -- Popular culture, constructions of place, and the lives of urban youth -- Mobilizing history at a local community center: popular media and the construction of generational identity among African-American youth -- The symbolic mediation of identity in Black popular culture: the discursive life, death, and reburth of Tupac Shakur (coauthored with George Kamberelis) -- Black youth, popular culture, and pedagogy: some conclusions.
520 2 $aThis ethnography studies young people and their use of hip hop culture. Drawing from historical work on hip hop and rap music, as well as four years of research at a local community center, the author argues that contemporary youth are increasingly fashioning notions of self and community outside of school in ways that educators have largely ignored. Attention is given to the influence of artists like the Sugarhill Gang, Run DMC, Eric B and Rakim, Public Enemy, NWA, and the Wu-Tang Clan.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aAfrican American youth$xSocial life and customs.
650 0 $aAfrican American youth$xSocial conditions.
650 0 $aHip-hop.
650 0 $aRap (Music)$xSocial aspects.
650 0 $aPerformance art$xSocial aspects$zUnited States.
650 0 $aAfrican American youth$xEducation.
650 0 $aPerformance$xSocial aspects$zUnited States.
650 17 $aHiphop.$2gtt
650 17 $aSubcultuur.$2gtt
650 17 $aJeugd.$2gtt
650 7 $aHip-Hop$2gnd
650 7 $aJugendkultur$2gnd
650 7 $aSchwarze$2gnd
650 7 $aSoziale Identität$2gnd
651 7 $aUSA$2gnd
650 7 $aHip-Hop$xJugendkultur$xSoziale Identität$zSchwarze$zUSA.$2swd
650 7 $aJugendkultur$xSoziale Identität$xHip-Hop$zSchwarze$zUSA.$2swd
650 7 $aSoziale Identität$xJugendkultur$xHip-Hop$zSchwarze$zUSA.$2swd
651 7 $aSchwarze$xHip-Hop$xJugendkultur$xSoziale Identität$zUSA.$2swd
651 7 $aUSA$xHip-Hop$xJugendkultur$xSoziale Identität$zSchwarze.$2swd
650 7 $aAfrican American youth$xEducation.$2fast$0(OCoLC)fst00799549
650 7 $aAfrican American youth$xSocial life and customs.$2fast$0(OCoLC)fst00799555
650 7 $aHip-hop.$2fast$0(OCoLC)fst00957237
650 7 $aPerformance$xSocial aspects.$2fast$0(OCoLC)fst01057842
650 7 $aRap (Music)$xSocial aspects.$2fast$0(OCoLC)fst01089957
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
776 08 $iOnline version:$aDimitriadis, Greg, 1969-$tPerforming identity/performing culture.$dNew York : P. Lang, ©2001$w(OCoLC)606587571
830 0 $aIntersections in communications and culture ;$vv. 1.
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938 $aOtto Harrassowitz$bHARR$nhar010026710$c63.00 DEM
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