MARC record from Internet Archive

LEADER: 04105cam a22006014a 4500
001 ocn795759473
003 OCoLC
005 20200617074352.1
008 120628s2012 miu b 001 0 eng
010 $a 2012026623
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019 $a821262941
020 $a9780801039096$q(pbk.)
020 $a0801039096$q(pbk.)
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029 1 $aNZ1$b14770518
029 1 $aUNITY$b128439092
035 $a(OCoLC)795759473$z(OCoLC)821262941
042 $apcc
050 00 $aML3921.8.P67$bM27 2012
082 00 $a306.4/8423$223
084 $a9,2$2ssgn
049 $aMAIN
100 1 $aMarsh, Clive.
245 10 $aPersonal Jesus :$bhow popular music shapes our souls /$cClive Marsh & Vaughan S. Roberts.
260 $aGrand Rapids, MI :$bBaker Academic,$c©2012.
300 $axv, 234 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aEngaging culture
504 $aIncludes bibliographical references (pages 211-224) and indexes.
505 0 $aMusic and religion -- Music in context: contemporary discussion about religion and popular culture -- Explorations in affective space: the Magisteria-Ibiza spectrum -- Acknowledging a theological interest: popular music from sin to sacramentality -- Living by pop music -- Pop music in the marketplace -- Pop music and the body -- Tingle factor: popular music and transcendence today -- Pop music, ritual, and worship -- What's on your Ipod? classics, canons, and the question of what matters -- Pop music and theology -- Discipline of listening: how (and why) what we're doing with music matters ultimately -- Three steps to heaven on negotiating meaning between popular music and Christian theology -- Embodied social rituals: revisiting theology through popular music -- Programmatic postscript: practical consequences for church, academy, and daily living.
520 1 $a"Pop music is now an ever-present force shaping citizens in the West. Even at funerals, pop music is often requested over hymns. But how does popular music work? And what roles does it play for listeners who engage it? This new addition to the critically acclaimed Engaging Culture series explores the theological significance of the ways pop music is listened to and used today. The authors show that popular music is used by religious and nonreligious people alike to make meaning, enabling listeners to explore human concerns about embodiment, create communities, and tap into transcendence. They assess what is happening to Christian faith and theology as a result. The book incorporates case studies featuring noted music artists of our day--including David Bowie, Michael Jackson, Sigur Rós, Pete Seeger, Bruce Springsteen, and Lady Gaga--and includes practical implications for the church, the academy, and daily musical listening. It also includes a foreword by Tom Beaudoin, author of Virtual Faith."--Publisher's description.
590 $bArchive
650 0 $aPopular music$xReligious aspects.
650 0 $aPopular music$xSocial aspects.
650 7 $aPopular music$xReligious aspects.$2fast$0(OCoLC)fst01071454
650 7 $aPopular music$xSocial aspects.$2fast$0(OCoLC)fst01071460
700 1 $aRoberts, Vaughan.
830 0 $aEngaging culture.
856 41 $3ebrary$uhttp://site.ebrary.com/id/10717575
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=serviceetdoc_library=BVB01etdoc_number=025671138etline_number=0001etfunc_code=DB_RECORDSetservice_type=MEDIA
938 $aBrodart$bBROD$n103238808
938 $aBaker and Taylor$bBTCP$nBK0011487027
938 $aCoutts Information Services$bCOUT$n22681962
938 $aebrary$bEBRY$nebr10717575
938 $aIngram$bINGR$n9780801039096
938 $aYBP Library Services$bYANK$n8790295
938 $aBlackwell Book Service$bBBUS$n8790295
994 $a92$bCST
976 $a10017028894