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LEADER: 04459cam 2200661Ia 4500
001 ocm17355306
003 OCoLC
005 20200921235149.0
008 880118s1987 nyu 000 1 eng d
010 $a 87061460
040 $aKCE$beng$cKCE$dNDS$dAU@$dVVW$dVYG$dONT$dSLC$dOSU$dBTCTA$dYDXCP$dALAUL$dOCLCQ$dTXBXL$dDOC$dUWW$dOCL$dOCLCQ$dOCLCO$dOCLCQ$dOCLCF$dOCLCO$dOCLCA$dOCL$dOCLCQ$dOCLCO$dGILDS$dOCLCA
019 $a21320601$a22634020$a731447392$a732905761$a988501384
020 $a0451521730$q(pbk.)
020 $a9780451521736$q(pbk.)
020 $a0451524829
020 $a9780451524829
020 $a0451524322$q(pbk.)
020 $a9780451524324$q(pbk.)
035 $a(OCoLC)17355306$z(OCoLC)21320601$z(OCoLC)22634020$z(OCoLC)731447392$z(OCoLC)732905761$z(OCoLC)988501384
043 $ae-fr---
050 00 $aPQ2623.E6$bF213 1988
082 04 $a843.912$220
100 1 $aLeroux, Gaston,$d1868-1927.
245 14 $aThe phantom of the opera /$cGaston Leroux ; introduction by Max Byrd.
260 $aNew York :$bNew American Library,$c©1987.
300 $axv, 271 pages ;$c18 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"A Signet classic."
505 0 $a1. Is it the Ghost? -- 2. The New Margarita -- 3. The Mysterious Reason -- 4. Box Five -- 5. The Enchanted Violin -- 6. A Visit to Box Five -- 7. Faust and What Followed -- 8. The Mysterious Brougham -- 9. At the Masked Ball -- 10. Forget the Name of the Man's Voice -- 11. Above the Trap-Doors -- 12. Apollo's Lyre -- 13. A Master-Stroke of the Trap-Door Lover -- 14. The Singular Attitude of a Safety-Pin -- 15. Christine! Christine! -- 16. Mme. Giry's Astounding -- 17. The Safety-Pin Again -- 18. The Commissary, The Viscount and the Persian -- 19. The Viscount and the Persian -- 20. In the Cellars of the Opera -- 21. Interesting Vicissitudes -- 22. In the Torture Chamber -- 23. The Tortures Begin -- 24. Barrels! ... Barrels! ... Any Barrels to Sell?" -- 25. The Scorpion or the Grasshopper: Which? -- 26. The End of the Ghost's Love Story --- Epilogue.
520 $aGaston Leroux's novel The Phantom of the Opera, first published in 1910, remained a perennial favorite throughout the twentieth century and into the early 2000s. It was adapted to several popular motion pictures and into one of the most successful stage musicals of all time. Its main character, Erik, is a romantic figure whose appeal reaches across different cultures and times. He is a sensitive soul, an accomplished composer and musician whose great unfinished work, Don Juan Triumphant, is described as breathtakingly beautiful by the one person he allows to hear it; he is an object of pity, whose face has been disfigured from birth, causing him to hide behind a silk mask; and he is hopelessly in love with a young woman whom he can never seriously hope will love him back. At the same time, he a dangerous, menacing figure, lurking in the hidden catacombs beneath the opera house and blackmailing those who will not bow to his whims. He can hear things said in privacy and can create catastrophes that might or might not be the accidents that they seem to be.
530 $aAlso issued online via the World Wide Web.
600 00 $aPhantom of the Opera$c(Fictitious character)$vFiction.
600 07 $aPhantom of the Opera$c(Fictitious character)$2fast$0(OCoLC)fst01060081
650 0 $aFrench fiction$xTranslations into English.
650 0 $aComposers$vFiction.
650 0 $aOpera$vFiction.
650 1 $aComposers$vFiction.
651 1 $aParis (France)$vFiction.
650 7 $aComposers.$2fast$0(OCoLC)fst00871620
650 7 $aFrench fiction.$2fast$0(OCoLC)fst00934302
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
655 4 $aClassic fiction.
655 4 $aHistorical fiction.
655 4 $aHorror fiction.
655 7 $aFiction.$2fast$0(OCoLC)fst01423787
655 7 $aHorror fiction.$2fast$0(OCoLC)fst01921684
655 7 $aTranslations.$2fast$0(OCoLC)fst01423791
655 7 $aHorror fiction.$2lcgft
655 7 $aHorror fiction.$2gsafd
700 1 $aByrd, Max,$eIntr.
856 41 $uhttp://www.readprint.com/work-716/The-Phantom-of-the-Opera-Gaston-Leroux
938 $aBaker and Taylor$bBTCP$nbl 99790665
938 $aYBP Library Services$bYANK$n407192
029 1 $aAU@$b000007941000
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 298 OTHER HOLDINGS