MARC record from Internet Archive

LEADER: 03905cam 2200649 a 4500
001 ocm85692178
003 OCoLC
005 20201204060343.0
008 070216s2007 enka b 001 0 eng
040 $aUKM$beng$cUKM$dYDXCP$dBTCTA$dWAU$dTULIB$dIEDUB$dOCLCF$dOCLCO$dOCLCA$dOCLCQ$dS3O$dOCLCA$dZ0P$dERL$dUKMGB$dOCLCQ$dDCT
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020 $a9781905814046$q(pbk.)
020 $a1905814046$q(pbk.)
035 $a(OCoLC)85692178
042 $aukblcatcopy
050 4 $aTR179$b.F74 2007
080 $a770.29
082 04 $a775$222
100 1 $aFreeman, Michael,$d1945-
245 14 $aThe photographer's eye :$bcomposition and design for better digital photos /$cMichael Freeman.
260 $aLewes :$bIlex,$c2007.
300 $a192 pages :$billustrations (chiefly color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (page 192) and index.
520 $a'The Photographer's Eye' shows how anyone can develop an eye for 'seeing' great digital photos. It explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited.
505 00 $gCh. 1.$tThe image frame --$tFrame dynamics --$tFrame shape --$tStitching and extending --$tCropping --$tFilling the frame --$tPlacement --$tDividing the frame --$tHorizon --$tFrames within frames --$gCh. 2.$tDesign basics --$tContrast --$tGestalt perception --$tBalance --$tDynamic tension --$tFigure and ground --$tRhythm --$tPattern, texture, many --$tPerspective and depth --$tVisual weight --$tLooking and interest --$tContent, weak & strong --$gCh. 3.$tGraphic & photographic elements --$tA single point --$tSeveral points --$tHorizontal lines --$tVertical lines --$tDiagonal lines --$tCurves --$tEye-lines --$tTriangles --$tCircles and rectangles --$tVectors --$tFocus --$tMotion --$tMoment --$tOptics --$tExposure --$gCh. 4.$tComposing with light and color --$tChiaroscuro and key --$tColor in composition --$tColor relationships --$tMuted colors --$tBlack and white --$gCh. 5.$tIntent --$tConventional or challenging --$tReactive or planned --$tDocumentary or expressive --$tSimple or complex --$tClear or ambiguous --$tDelay --$tStyle and fashion --$gCh. 6.$tProcess --$tThe search for order --$tHunting --$tCase study : Japanese monk --$tRepertoire --$tReaction --$tAnticipation --$tExploration --$tReturn --$tConstruction --$tJuxtaposition --$tPhotographs together --$tPost-production --$tSyntax.
650 0 $aPhotography$xDigital techniques.
650 7 $aPhotography$xDigital techniques.$2fast$0(OCoLC)fst01061736
650 7 $aDigital fotografi.$2sao
650 7 $aBildkomposition (fotografi)$2sao
650 7 $aFototeknik.$2sao
856 41 $uhttp://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080556161$zView this book online, via DawsonERA, both on- and off-campus
856 42 $uhttp://lib.leeds.ac.uk/search/febook3186804$zThis title is also available as an eBook. Click here.
938 $aBaker and Taylor$bBTCP$nBK0007211426
938 $aYBP Library Services$bYANK$n100464261
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994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 108 OTHER HOLDINGS