MARC record from Internet Archive

LEADER: 03283cam 2200493Ki 4500
001 ocn886546575
003 OCoLC
005 20201101205505.0
008 140812s2003 xx a o 001 0 eng d
006 m o d
007 cr cnu---unuuu
040 $aGW5XE$beng$erda$epn$cGW5XE$dOCLCF$dUA@$dCOO$dOCLCQ$dUAB$dOCLCQ$dAU@$dTKN$dLEAUB$dOCLCQ$dEBLCP
020 $a9781430251378$q(electronic bk.)
020 $a1430251379$q(electronic bk.)
020 $a1590591828$q(print)
020 $a9781590591826$q(print)
020 $z9781590591826
024 7 $a10.1007/978-1-4302-5137-8$2doi
035 $a(OCoLC)886546575
050 4 $aTR267.5.A3
082 04 $a006.6/8$223
245 00 $aPhotoshop face to face /$cGavin Cromhout ... [and more].
264 1 $a[Place of publication not identified] :$bApress,$c2002.
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"Originally published by Friends of ED."
500 $aIncludes index.
588 0 $aPrint version record.
520 $aIf we were to say Marilyn to you, what would you be thinking? Monroe? Manson? Well, you would be thinking about the most inspired use of facial imagery. Anybody in advertising will tell you that the most effective sales tool around is the face. A face can sell you anything. Any product, any idea. And the most striking faces become icons in their own right. With Adobe Photoshop, we can see the possibilities for facial stylization explode. This book looks at how to develop an image to get it right, and how to make these mugshots genuinely memorable. Some of the most exciting designers around have gathered to work their magic on this tightly focused canvas, working from a number of different starting points. Whether it's a perfect gloss you're after, or an abstract form of iconography, Photoshop has a collection of subtle and powerful tricks up its sleeve, and this book coaxes them into the open. This is a full color inspirations title, aimed at showing professionals and home users alike how to access the multiplicity of techniques available in Adobe Photoshop. By using such a familiar model as the human face, the effectiveness and originality of these techniques is thrown into sharp relief. The book employs versions of Photoshop up to the release of version 7, although the techniques shown will be compatible with previous releases of the software. Each chapter contains multiple examples of how to treat a face in Photoshop, and an in-depth explanation of technique from the designer.
630 00 $aAdobe Photoshop.
630 07 $aAdobe Photoshop.$2fast$0(OCoLC)fst01378295
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aCromhout, Gavin,$eauthor.
776 08 $iPrint version:$tPhotoshop face to face$z1590591828$w(OCoLC)316331752
856 40 $3SpringerLink$uhttps://doi.org/10.1007/978-1-4302-5137-8
856 40 $zClick here to view book$uhttp://public.eblib.com/choice/PublicFullRecord.aspx?p=6294903
938 $aProQuest Ebook Central$bEBLB$nEBL6294903
029 1 $aAU@$b000057662626
029 1 $aNZ1$b15909022
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 43 OTHER HOLDINGS