| Record ID | ia:plotdibe00dibe |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/plotdibe00dibe/plotdibe00dibe_marc.xml |
| Download MARC binary | https://www.archive.org/download/plotdibe00dibe/plotdibe00dibe_meta.mrc |
LEADER: 01968cam 2200457 a 4500
001 ocm16832433
003 OCoLC
005 20100625140221.0
008 870914s1988 ohu 001 0 eng
010 $a 87026587
040 $aDLC$cDLC$dBTCTA$dYDXCP$dLVB$dBAKER$dOCLCG$dP4I
020 $a0898793033
020 $a9780898793031
035 $a(OCoLC)16832433
050 00 $aPN3378$b.D5 1988
082 00 $a808.3$219
100 1 $aDibell, Ansen,$d1942-2006
245 10 $aPlot /$cby Ansen Dibell.
250 $aFirst ed.
260 $aCincinnati, Ohio :$bWriter's Digest Books,$cc1988.
300 $a170 p. ;$c24 cm.
500 $aOn cover: The elements of fiction writing.
500 $aIncludes index.
505 0 $aComing to plot the hard way -- What is plot? -- Grand openings -- Would you trust a viewpoint with shifty eyes? -- "Shut up!" he explained--handling exposition -- Early middles : new directions and subplots -- Building the big scenes : set-pieces -- Harnessing melodrama -- Patterns, mirrors, and echoes -- Pacing, trasitions, flashes, and frames -- When you come to the end, stop -- Beyond plot.
650 0 $aFiction$xTechnique.
650 0 $aPlots (Drama, novel, etc.)
650 6 $aRoman$xTechnique.
650 6 $aIntrigues (Théâtre, roman, etc.)
938 $aBaker and Taylor$bBTCP$n87026587$c$12.95
938 $aYBP Library Services$bYANK$n1031387
938 $aBaker & Taylor$bBKTY$c15.99$d11.99$i0898793033$n0001256338$sactive
952 $a16832433$zDLC$bLIBRARY OF CONGRESS$hFull$iLCC$kDDC$tContents$u20100508
952 $a132425390$zJTC$bSHASTA PUBLIC LIBR$hFull$iLCC$kDDC$u20070519
952 $a239123549$zHLS$bHARVARD UNIV, HARVARD COL LIBR$hLess-than-full batch$iLCC$kDDC$u20100319
029 1 $aYDXCP$b1598194
029 1 $aYDXCP$b1031387
029 1 $aNZ1$b3747864
029 1 $aAU@$b000005558876
029 1 $aAU@$b000022119370
994 $aZ0$bPMR
948 $hNO HOLDINGS IN PMR - 699 OTHER HOLDINGS