MARC record from Internet Archive

LEADER: 04053cam 2200661 a 4500
001 ocm34617749
003 OCoLC
005 20210511055809.0
008 960415s1997 njua b 001 0 eng
010 $a 96018347
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019 $a1008005448
020 $a1573925764
020 $a9781573925761
020 $a0391039881
020 $a9780391039889
035 $a(OCoLC)34617749$z(OCoLC)1008005448
050 00 $aND237.B2613$bC7 1997
082 00 $a759.13$220
084 $a20.54$2bcl
084 $aLI 99999$2rvk
100 1 $aCraven, David,$d1951-2012.
245 10 $aPoetics and politics in the art of Rudolf Baranik /$cDavid Craven.
260 $aAtlantic Highlands, NJ :$bHumanities Press,$c1997.
300 $axvi, 211 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 199-206) and index.
520 $aRudolf Baranik has been a leader of virtually every progressive political movement within the New York art world from the 1960s to the mid-1990s, from the Artists and Writers Protest Group - which was one of the first organizations of intellectuals in the U.S. to speak up against the Vietnam War - to Artists Meeting for Cultural Change in the 1970s (the aim of which, to quote Baranik, was "to affect society, or at least analyze the artist's role in society") and Artists' Call Against U.S. Involvement in Central America, the 1980s group that so prominently supported Latin American self-determination during the Reagan and Bush administrations.
520 8 $aIn this first book-length study of Baranik's now-legendary artwork, author David Craven shows how Baranik's use of "socialist formalism" since the 1950s forces us to reconsider the standard accounts of U.S. postwar art. In paintings such as those that make up the Napalm Elegy series (1967-1974), Baranik used a language at once evocatively poetic and provocatively critical. His paintings have increasingly come to be considered among the most significant works of the New York School painting of the 1960s and 1970s, exemplifying what Theodor Adorno called "committed art."
520 8 $aThe second half of the book is an anthology of Baranik's aphoristic essays on art and politics, which appeared in various art world publications over the last four decades and have been written in conjunction with political involvements that led Lucy Lippard to call Baranik "an activist par excellence."
600 10 $aBaranik, Rudolf$xCriticism and interpretation.
600 17 $aBaranik, Rudolf.$2fast$0(OCoLC)fst00157685
600 17 $aBaranik, Rudolf$d1920-$2gnd
600 17 $aBaranik, Rudolf.$2swd
600 14 $aBaranik, Rudolf,$d1920-1991.
650 0 $aPolitics in art.
650 0 $aUt pictura poesis (Aesthetics)
650 7 $aPolitics in art.$2fast$0(OCoLC)fst01896083
650 7 $aUt pictura poesis (Aesthetics)$2fast$0(OCoLC)fst01163251
650 17 $aBeeldende kunsten.$2gtt
650 17 $aPolitieke activiteit.$2gtt
650 7 $aKunst$2gnd
650 7 $aPolitik$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aCraven, David, 1951-$tPoetics and politics in the art of Rudolf Baranik.$dAtlantic Highlands, NJ : Humanities Press, 1997$w(OCoLC)646108481
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1309/96018347-d.html
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938 $aBrodart$bBROD$n49844229$c$49.95
938 $aBaker and Taylor$bBTCP$n96018347
938 $aYBP Library Services$bYANK$n1523016
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029 1 $aDEBBG$bBV011359880
029 1 $aGEBAY$b2695981
029 1 $aYDXCP$b1306887
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 146 OTHER HOLDINGS