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LEADER: 01846cam 2200373 i 4500
001 9924929880001661
005 20150423153108.0
008 140203t20132013nyu bq 001 0 eng
010 $a2013024783
020 $a9781137374707 (alk. paper)
020 $a1137374705 (alk. paper)
035 $a(OCoLC)854906202
035 $a(OCoLC)ocn854906202
040 $aDLC$erda$beng$cDLC$dYDX$dOCLCO$dBTCTA$dYDXCP$dBDX$dOCLCO
042 $apcc
043 $an-us---
049 $aCNUM
050 00 $aPN1995.9.P6$bN46 2013
082 00 $a791.43/6581$223
100 1 $aNelson, John S.,$d1950-$eauthor.
245 10 $aPopular cinema as political theory :$bidealism and realism in epics, noirs, and satires /$cJohn S. Nelson.
250 $aFirst edition.
264 1 $aNew York, NY :$bPalgrave Macmillan,$c2013.
300 $axii, 249 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aDoing political theory with popular films: styles in action in everyday life -- An epic comeback? post-western politics in film and theory -- Rhythms of political satire: post-modern politics in words, musics, and movies -- Realism as a political style: noir insights -- Noir in paradise: testing and twisting realist politics -- Conclusion -- Unsettling idealism versus realism: perfectionism in two classics of neo noir -- Appendix A: Classic film noir according to critical consensus -- Appendix B: Some interim noir films according to commentators -- Appendix C: Neo-noir films according to Nelson.
650 0 $aMotion pictures$xPolitical aspects$zUnited States.
650 0 $aPolitics in motion pictures.
947 $fHUMANITIES$hBOOK$p$86.00$q1
949 $aPN1995.9.P6 N46 2013$i31786102876114
994 $a92$bCNU