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LEADER: 04689cam 2200877 a 4500
001 ocm32241852
003 OCoLC
005 20201021214954.0
008 950228s1995 enka b 001 0 eng
010 $a 95011404
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050 00 $aML3470$b.L66 1995
080 $a306.4
082 00 $a306.4/84$220
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100 1 $aLonghurst, Brian,$d1956-
245 10 $aPopular music and society /$cBrian Longhurst.
260 $aCambridge, UK :$bPolity Press ;$aMalden, MA :$bPublished in the USA by Blackwell Publishers,$c1995.
300 $aix, 277 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 255-266) and index.
520 1 $a"The book examines the ways in which popular music is produced, structured as text, and understood and used by audiences. It includes overviews and critiques of general theories, outlines of the most important empirical studies, and data on the contemporary production and consumption of popular music." "Drawing on the theories of Adorno and Weber, Longhurst examines the contemporary organization of the music industry, the social production of music, and the effects of technological change on production. The history and politics of popular music are discussed, as are the connections of popular music and sexuality. Issues such as authenticity, stemming from the debates around black music, are addressed, and several different ways of studying the texts of popular music are reviewed. The literature on subculture and music is looked at in the context of an examination of the audience for pop music. Developing work on fans is considered, as are contemporary approaches which problematize relationships of production and consumption." "Clearly written and well illustrated, Popular Music and Society will be an excellent textbook for students in the sociology of culture, cultural studies, and media and communication studies."--Jacket.
505 0 $a1. Arguments and Framework -- pt. I. Production. 2. The Pop Music Industry. 3. The Social Production of Music -- pt. II. Text. 4. History, Politics and Sexuality. 5. Black Music. 6. Texts and Meaning -- pt. III. Audience. 7. Effects, Audiences and Subcultures. 8. Fans, Production and Consumption.
650 0 $aPopular music$xSocial aspects.
650 0 $aPopular culture.
650 1 $aMusic and society.
650 2 $aPopular Culture.
650 6 $aMusique populaire$xAspect social.
650 6 $aCulture populaire.
650 7 $aPopular culture.$2fast$0(OCoLC)fst01071344
650 7 $aPopular music$xSocial aspects.$2fast$0(OCoLC)fst01071460
650 7 $aGesellschaft$2gnd
650 7 $aPopmusik$2gnd
650 7 $aAnalyse$2gnd
650 7 $aMusiksoziologie$2gnd
650 7 $aRockmusik$2gnd
650 17 $aPopmuziek.$2gtt
650 17 $aSociale aspecten.$2gtt
653 0 $aPopular music$aSociology
856 41 $3Table of contents$uhttp://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=1401578&custom_att_2=simple_viewer
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