MARC record from Internet Archive

LEADER: 03817cam 2200625 a 4500
001 ocm38883313
003 OCoLC
005 20181128013125.0
008 980327s1998 nyua b 000 0 eng d
010 $a 97077005
040 $aWaS$beng$cDLC$dUOK$dBAKER$dBTCTA$dYDXCP$dBNY$dGEBAY$dOCLCF$dOCLCO$dOCLCA$dOCLCQ$dIOG$dOCLCA
019 $a1008211870
020 $a0810963523
020 $a9780810963528
035 $a(OCoLC)38883313$z(OCoLC)1008211870
042 $alccopycat
043 $an-us---$an-us-in
050 00 $aNB237.P67$bA64 1998
082 00 $a730.92$221
100 1 $aPousette-Dart, Richard,$d1916-1992.
245 14 $aThe portal /$cPousette-Dart ; text, Stephen Polcari ; photographs, David Finn.
260 $aNew York :$bAbrams,$c1998.
300 $a100 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (page 27).
520 1 $a"Richard Pousette-Dart (1916-1992), one of the towering figures of twentieth century American art, is best known as an Abstract Expressionist whose powerful paintings were shaped by the physical and spiritual chaos of World War II."--BOOK JACKET. "Pousette-Dart's lifelong devotion to modern mixes of the sacred and traditional lies behind the great portal, Cathedral, which is set in the blank, unadorned facade of the new Mary Fendrich Hulman Pavilion of the Indianapolis Museum of Art. This bronze door is taken from his painting, Cathedral, of 1978-80. It is a perfectly square, black-and-white painting, consisting of a white field on which shapes, geometrical figures, and other forms and symbols are outlined and drawn. It is easy to see how the door is a realization of his work."--BOOK JACKET. "Through Steven Polcari's in-depth analysis of Pousette-Dart and the Portal, the reader discovers the place both hold in the history of modernism. And through David Finn's detailed photographs, the viewer can easily follow the transition that took place from the artist's thickly pigmented paintings to the sculptural forms of the door, composed of polished bronze plateaus projecting from deeply carved inner valleys."--BOOK JACKET.
600 10 $aPousette-Dart, Richard,$d1916-1992.$tCathedral (1990)
600 10 $aPousette-Dart, Richard,$d1916-1992$xCriticism and interpretation.
610 20 $aIndianapolis Museum of Art.$bMary Fendrich Hulman Pavilion.
600 17 $aPousette-Dart, Richard,$d1916-1992.$2fast$0(OCoLC)fst00006519
610 27 $aIndianapolis Museum of Art.$bMary Fendrich Hulman Pavilion.$2fast$0(OCoLC)fst00738699
630 07 $aCathedral (1990) (Pousette-Dart, Richard)$2fast$0(OCoLC)fst01389518
600 17 $aPousette-Dart, Richard.$tCathedral (1990)$2swd
650 0 $aAbstract expressionism$zUnited States.
650 0 $aSymbolism in art.
650 7 $aAbstract expressionism.$2fast$0(OCoLC)fst00794746
650 7 $aSymbolism in art.$2fast$0(OCoLC)fst01140771
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 07 $aBildband.$2swd
651 7 $aIndianapolis (Ind.)$xMary Fendrich Hulman Pavilion.$2swd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aPolcari, Stephen.
700 1 $aFinn, David,$d1921-
776 08 $iOnline version:$aPousette-Dart, Richard, 1916-1992.$tPortal.$dNew York : Abrams, 1998$w(OCoLC)606991804
938 $aBaker & Taylor$bBKTY$c29.95$d22.46$i0810963523$n0003103444$sactive
938 $aBaker and Taylor$bBTCP$n97077005
938 $aYBP Library Services$bYANK$n1467929
029 1 $aAU@$b000020013374
029 1 $aGEBAY$b5966648
029 1 $aNZ1$b4916387
029 1 $aYDXCP$b1467929
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 265 OTHER HOLDINGS