| Record ID | ia:possessionsindig0000thom |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/possessionsindig0000thom/possessionsindig0000thom_marc.xml |
| Download MARC binary | https://www.archive.org/download/possessionsindig0000thom/possessionsindig0000thom_meta.mrc |
LEADER: 01218cam a2200337 a 4500
001 98061288
003 DLC
005 20150910190855.0
008 980810s1999 enka b 001 0 eng c
010 $a 98061288 $z 00362842
020 $a0500280975 (pbk.)
035 $a(OCoLC)40587969
040 $aUk$cUk$dCU-S$dMdU$dDLC
042 $apcc
043 $au-at---$au-nz---
050 00 $aN7400$b.T483 1999
082 04 $a303.482$221
100 1 $aThomas, Nicholas,$d1960-
245 10 $aPossessions :$bindigenous art, colonial culture /$cNicholas Thomas.
246 30 $aIndigenous art, colonial culture
260 $aNew York, N.Y. :$bThames and Hudson,$cc1999.
300 $a304 p. :$bill. (some col.) ;$c24 cm.
490 1 $aInterplay : arts, history, theory
504 $aIncludes bibliographical references (p. 282-292) and index.
650 0 $aArt, Australian$xAboriginal Australian influences.
650 0 $aArt, Aboriginal Australian$xWestern influences.
650 0 $aArt, New Zealand$xMaori influences.
650 0 $aArt, Maori$xWestern influences.
650 0 $aAboriginal Australians in art.
650 0 $aMaori (New Zealand people) in art.
830 0 $aInterplay (New York, N.Y. : Thames and Hudson)