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LEADER: 05952cam 2200913 a 4500
001 ocm26398812
003 OCoLC
005 20190508033346.0
008 920804s1993 nyua b 001 0 eng
010 $a 92029047
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066 $c$1
016 7 $a009789205$2Uk
020 $a0810937239
020 $a9780810937239
020 $a0810929473$q(pbk.)
020 $a9780810929470$q(pbk.)
035 $a(OCoLC)26398812
043 $an------$as------
050 00 $aN7428.5$b.B73 1993
051 $aN7428.5$b.B73 1993 Copy 3
082 00 $a709.04$221
084 $a20.55$2bcl
084 $a20.30$2bcl
084 $a6,33$2ssgn
084 $aJ170.09$2clc
100 1 $aBraun, Barbara,$d1939-
245 10 $aPre-Columbian art and the post-Columbian world :$bancient American sources of modern art /$cBarbara Braun.
260 $aNew York :$bHarry N. Abrams,$c℗♭1993.
300 $a339 pages :$bchiefly illustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 323-329) and index.
505 0 $aPre-Columbian art in the post-Columbian world -- Paul Gauguin: searching for ancestors -- Henry Moore: the chacmool in the garden -- Frank Lloyd Wright: a vision of Maya temples -- Diego Rivera: heritage and politics -- Joaquin Torres-Garcia: the alchemical grid -- Pre-Columbian art and modernism: the shifting ground.
530 $aAlso issued online.
520 $aWhile much attention has been given to the connection between modern art and primitive African forms, the impact of ancient American sources on the work of modern artists has been left largely unexplored. For example, Henry Moore's Reclining Figure, in a dozen variations, adorns museum galleries, corporate headquarters, and public malls around the world, yet how many people are aware that its acknowledged source is the Toltec-Maya chacmool, a Mesoamerican temple guardian and repository of sacrificial offerings? Or that Frank Lloyd Wright, America's premier modern architect, learned as much about structural design and ornamentation from a close study of Maya temples and Mixtec palaces as he did from Japanese structures?
520 8 $aAuthor Barbara Braun explores these connections and more in this fascinating, in-depth study of five seminal modern artists and the Pre-Columbian forms that provided inspiration for their work. In addition to the Moore and Wright comparisons, Braun examines the ceramics of Paul Gauguin and their debt to ancient Peruvian plastic and pictorial formulas; the revolutionary murals of Diego Rivera and their ideological and visual relation to Aztec imagery; as well as the Constructivist paintings of Joaquin Torres-Garcia and their connection to ancient Peruvian textiles, ceramics, and architecture.
520 8 $aBraun begins her discussion with a summary of the introduction and reception of Pre-Columbian images and artifacts in Europe and the United States from the sixteenth century forward, and she closes with a look at how the work of more recent artists, such as Color Field painter Alfred Jensen, Minimalist sculptor Tony Smith, earth artist Robert Smithson, and ceramists Kenneth Price and David Gilhooly, continues to be indebted to ancient American forms and ideas. Visual confirmation of these connections is given in more than 300 striking illustrations, 97 of them in color. An illustrated time chart and historical map provide the reader with easy reference points for the various ancient cultures of Mesoamerica and South America covered in the text. A bibliography and an index round out this thoughtful, intriguing volume.
650 0 $aArt, Comparative.
650 0 $aArt, Modern$y20th century.
650 0 $aIndian art$xInfluence.
650 7 $aArt, Comparative.$2fast$0(OCoLC)fst00816147
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aIndian art$xInfluence.$2fast$0(OCoLC)fst00969034
650 17 $aBeeldende kunsten.$2gtt
650 7 $aRezeption$2gnd
651 7 $aAltamerika$2gnd
650 7 $aKunst$2gnd
650 7 $aArt pre colombien$xInfluence.$2ram
650 7 $aArt$y20e sie cle$xInfluence pre colombienne.$2ram
650 7 $aArt compare .$2ram
651 7 $aEuropa.$2swd
650 4 $aArte moderno$ySiglo XX.
650 4 $aArte precolombino$xInfluencia.
648 7 $aGeschichte 1850-1990$2swd
648 7 $a1900-1999$2fast
653 0 $aArt, Comparative
653 0 $aArt, Modern$a20th century
653 0 $aIndian art$aInfluence
710 2 $aJay I. Kislak Reference Collection (Library of Congress)$5DLC
776 08 $iOnline version:$aBraun, Barbara, 1939-$tPre-Columbian art and the post-Columbian world.$dNew York : Harry N. Abrams, ℗♭1993$w(OCoLC)624451176
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780810937239.pdf
880 $6500-00/$1$aœ̄ ̃Ø̌:̄Ancient American Sources of Modern Art.
938 $aBaker & Taylor$bBKTY$c75.00$d56.25$i0810937239$n0002183792$sactive
938 $aBrodart$bBROD$n46172076$c$75.00
938 $aBaker and Taylor$bBTCP$n92029047
938 $aYBP Library Services$bYANK$n709302
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029 1 $aGBVCP$b110348117
029 1 $aGEBAY$b2122068
029 1 $aNZ1$b4368335
029 1 $aUNITY$b026716941
029 1 $aYDXCP$b1699573
029 1 $aYDXCP$b709302
029 1 $aZWZ$b014873761
029 1 $aUKMGB$b009789205
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 1006 OTHER HOLDINGS