MARC record from Internet Archive

LEADER: 05646cam 2200901 a 4500
001 ocm26363611
003 OCoLC
005 20220920163950.0
008 920721s1992 miua b 001 0 eng
010 $a 92026051
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020 $a0472102990
020 $a9780472102990
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050 00 $aNX504$b.A89 1992
082 00 $a700/.973/09048$220
084 $a24.11$2bcl
084 $a15.85$2bcl
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084 $aHU 1777$2rvk
100 1 $aAuslander, Philip,$d1956-
245 10 $aPresence and resistance :$bpostmodernism and cultural politics in contemporary American performance /$cPhilip Auslander.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c©1992.
300 $aviii, 206 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTheater--theory/text/performance
504 $aIncludes bibliographical references (pages 175-197) and index.
520 1 $a"The experimental theater and performance art of the last decade have been frequently decried as apolitical by critics whose model was the radical theater of the Vietnam era. Unlike for their predecessors in the 1960s, it has not been possible for contemporary performance artists such as Spalding Gray, Laurie Anderson, Andy Kaufman, and Sandra Bernhard, in their critiques of postmodern culture, to represent themselves as somehow outside of the culture they are critiquing. Postmodern culture is so thoroughly saturated by media images and information that contemporary political art has had to find ways of mounting a critique while acknowledging its position within the culture." "In this study, Philip Auslander sheds light on the political nature of postmodern pertormance, the understandings of postmodern culture that underpin it, and the particular strategies it employs. The first three chapters are devoted to a discussion of postmodern culture, which Auslander sees as mediatized culture, borrowing Baudrillard's term, and the general positioning of political art and performance within it. The five subsequent chapters are devoted to comparative discussions of issues raised by this positioning and by the critical strategies within specific pertormance practices drawn from both the avant-garde and popular performance, with emphasis on resistant representations of race and gender and on performance's engagement with an information-saturated culture." "Presence and Resistance will interest readers in theater, drama, and performance studies and those concerned with issues in postmodern theory, cultural theory, feminism, popular culture, and media theory."--Jacket.
505 0 $apt. 1. Postmodernism, Cultural Politics, Performance. Ch. 1. Postmodern Culture as Mediatized Culture. Ch. 2. Postmodernism and Cultural Politics. Ch. 3. From the Politics of Ecstasy to the Ecstasy of Communication -- pt. 2. Going with the Flow: Performance in a Mediatized Culture. Ch. 4. Performance Art and Television Culture. Ch. 5. L.S.D. from The Crucible: The Wooster Group. Ch. 6. Intellectual Property Meets the Cyborg: Technology and Textual Ownership in Postmodernist Performance. Ch. 7. "Comedy about the Failure of Comedy": Stand-up Comedy and Postmodernism. Ch. 8. Comedy, Mediatization, Resistance: Andy Kaufman and Sandra Bernhard.
650 0 $aPerformance art$zUnited States.
650 0 $aArts and society$zUnited States$xHistory$y20th century.
650 0 $aPostmodernism$zUnited States.
650 6 $aArts et société$zÉtats-Unis$xHistoire$y20e siècle.
650 6 $aPostmodernisme$zÉtats-Unis.
650 7 $aArts and society.$2fast$0(OCoLC)fst00817856
650 7 $aPerformance art.$2fast$0(OCoLC)fst01057852
650 7 $aPostmodernism.$2fast$0(OCoLC)fst01073164
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aDarstellende Kunst$2gnd
650 7 $aExperimentelles Theater$2gnd
650 7 $aKulturpolitik$2gnd
650 7 $aPerformance$gKünste$2gnd
650 7 $aPolitisches Theater$2gnd
650 7 $aPostmoderne$2gnd
651 7 $aUSA$2gnd
650 17 $aToneel.$2gtt
650 17 $aPostmodernisme.$2gtt
650 17 $aKunstbeleid.$2gtt
648 4 $aGeschichte 1960-1995.
648 7 $a1900-1999$2fast
648 7 $aGeschichte 1960-1995$2swd
653 0 $aArts and society$aUnited States$aHistory$a20th century
653 0 $aPerformance art$aUnited States
653 0 $aPostmodernism$aUnited States
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aAuslander, Philip, 1956-$tPresence and resistance.$dAnn Arbor : University of Michigan Press, ©1992$w(OCoLC)669380124
830 0 $aTheater--theory/text/performance.
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780472102990.pdf
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948 $hNO HOLDINGS IN GTX - 452 OTHER HOLDINGS