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LEADER: 05012cam 2200865 a 4500
001 ocm33970053
003 OCoLC
005 20210921083659.0
008 951218s1996 enk bi 001 0 eng
010 $a 95052785
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050 00 $aPN1995.3$b.P85 1996
080 $a791.41
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082 00 $a791.43$220
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245 00 $aPulping fictions :$bconsuming culture across the Literature-media divide /$cedited by Deborah Cartmell [and others].
260 $aLondon ;$aChicago, Ill. :$bPluto Press,$c1996.
300 $avi, 160 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aFilm/fiction ;$vv. 1
504 $aIncludes bibliographical references and index.
530 $aAlso issued online.
505 00 $tIntroduction -- Pulping Fictions: Consuming Culture Across the Literature/Media Divide /$rImelda Whelehan and Deborah Cartmell --$g1.$t'Vanishing' Worlds: Film Adaptation and the Mystery of the Original /$rJohn O. Thompson --$g2.$tThe Vampire Writes Back: Anne Rice and the (Re)Turn of the Author in the Field Cultural Production /$rKen Gelder --$g3.$tIs s/he or Isn't s/he?: Screening Orlando /$rNicola Shaughnessy --$g4.$tFeminist Sympathies Versus Masculine Backlash: Kenneth Branagh's Mary Shelley's Frankenstein /$rHeidi Kaye --$g5.$tThe Henry V Flashback: Kenneth Branagh's Shakespeare /$rDeborah Cartmell --$g6.$tConsuming Middlemarch: Construction and Consumption of Nostalgia in Stamford /$rJenny Rice and Carol Saunders --$g7.$tPleasure and Interpretation: Film Adaptations of Angela Carter's Fiction /$rCatherine Neale.
520 $aTaking Quentin Tarantino's dictionary definition of 'pulp fiction' as its starting point, Pulping Fictions explores the unease with which film and television adaptations are often greeted, investigating the changing status of 'canonical' and 'non-canonical' texts in the increasingly blurred interface between literature and media studies.
520 8 $aBranagh's film of Henry V, the filming of Mary Shelley's Frankenstein and Angela Carter's adaptability from book to screen are examined. The transference of the grand narratives of history into theme park youth culture is explored via Bill & Ted's Excellent Adventure and the folk-myth rendition of Mel Brooks's 'irreverent' Robin Hood: Men in Tights. The notion of 'planning' is examined in the evolution of Neil Jordan's film of Anne Rice's Interview with the Vampire and the exploitation of textual/cinematic strategies is revealed in Sally Potter's adaptation of Virginia Woolf's Orlando. The BBC's decision to film Middlemarch in Stamford is considered and, concluding the volume, charges against Tarantino for exploiting the banal and vulgar tastes of mass culture are refuted in a reading of his Pulp Fiction.
540 $aCurrent Copyright Fee: GBP20.00$c0.$5Uk
650 0 $aMotion pictures and literature.
650 0 $aCulture in motion pictures.
650 7 $aCulture in motion pictures.$2fast$0(OCoLC)fst01902963
650 7 $aMotion pictures and literature.$2fast$0(OCoLC)fst01027410
650 17 $aPopulaire cultuur.$2gtt
650 17 $aVerfilmingen.$2gtt
650 17 $aFictie.$2gtt
650 17 $aLetterkunde.$2gtt
650 17 $aTriviale literatuur.$2gtt
650 7 $aTrivialroman$2gnd
650 07 $aFilm.$2swd
650 7 $aAufsatzsammlung$2gnd
655 7 $aTelevision adaptations.$2fast$0(OCoLC)fst01710478
655 7 $aFilm adaptations.$2fast$0(OCoLC)fst01710491
655 7 $aTelevision adaptations.$2lcgft
655 7 $aFilm adaptations.$2lcgft
700 1 $aCartmell, Deborah.
776 08 $iOnline version:$tPulping fictions.$dLondon ; Chicago, Ill. : Pluto Press, 1996$w(OCoLC)605112277
830 0 $aFilm/fiction ;$vv. 1.
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948 $hHELD BY P4A - 213 OTHER HOLDINGS