MARC record from Internet Archive

LEADER: 07358cam 2201081Ia 4500
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100 1 $aBailey, Peter J.,$d1946-
245 14 $aThe reluctant film art of Woody Allen /$cPeter J. Bailey.
260 $aLexington, Ky. :$bUniversity Press of Kentucky,$c©2001.
300 $a1 online resource (vii, 324 pages) :$billustrations
336 $atext$btxt$2rdacontent
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338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references (pages 310-316) and index.
588 0 $aPrint version record.
505 00 $tThat Old Black Magic: Woody Allen's Ambivalent Artistry --$tStrictly the Movies: Play It Again, Sam --$tGetting Serious: The Antimimetic Emblems of Annie Hall --$tArt and Idealization: I'll Fake Manhattan --$tStrictly the Movies II: How Radio Days Generated Nights at the Movies --$tLife Stand Still Here: Interiors Dialogue --$tIn the Stardust of a Song: Stardust Memories --$tWoody's Mild Jewish Rose: Broadway Danny Rose --$tThe Fine Art of Living Well: Hannah and Her Sisters --$tIf You Want a Hollywood Ending: Crimes and Misdemeanors --$tEveryone Loves Her/His Illusions: The Purple Rose of Cairo and Shadows and Fog --$tPoetic License, Bullshit: Bullets Over Broadway --$tLet's Just Live It: Woody Allen in the 1990s --$tBecause It's Real Difficult in Life: Husbands and Wives --$tRear Condo: Manhattan Murder Mystery --$tThat Voodoo That You Do So Well: Mighty Aphrodite --$tAnd What a Perfect Plot: Everyone Says I Love You and Zelig --$tHow We Choose to Distort It: Deconstructing Harry --$tFrom the Neck Up: Another Woman and Celebrity --$tAllen and His Audience: Sweet and Lowdown.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
520 $aFor three decades, no American filmmaker has been as prolific--or as paradoxical--as Woody Allen. From Play It Again, Sam (1972) through Celebrity (1998) and Sweet and Lowdown (1999), Allen has produced an average of one film a year, yet in many of these films Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists. In examining Allen's filmmaking career, The Reluctant Film Art of Woody Allen demonstrates that his movies often question whether the projected illusions of magicians/artists benefit audience or artists.
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
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600 10 $aAllen, Woody,$d1935-$xCriticism and interpretation.
650 0 $aMotion picture producers and directors$vBiography.
600 16 $aAllen, Woody$xCritique et interprétation.
650 7 $aART$xFilm & Video.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
600 17 $aAllen, Woody,$d1935-$2fast$0(OCoLC)fst01897483
650 7 $aMotion picture producers and directors.$2fast$0(OCoLC)fst01027225
650 17 $aFilms.$2gtt
650 7 $aFilm.$2hilcc
650 7 $aMusic, Dance, Drama & Film.$2hilcc
655 4 $aElectronic books.
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aBailey, Peter J., 1946-$tReluctant film art of Woody Allen.$dLexington, Ky. : University Press of Kentucky, ©2001$z9780813190419$w(DLC) 00028308$w(OCoLC)43641270
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