MARC record from Internet Archive

LEADER: 02066cam 2200361 a 4500
001 9921258100001661
005 20150423133923.0
008 070514s2007 nyuaf bq 001 0 eng
010 $a 2007020466
020 $a9780773454101
020 $a0773454101
035 $a(CSdNU)u310756-01national_inst
035 $a(OCoLC)137246003
035 $a(OCoLC)137246003
035 $a(OCoLC)137246003
040 $aDLC$cDLC$dYDX$dBAKER$dBTCTA$dYDXCP$dOrLoB-B
049 $aCNUM
050 00 $aPN1995.9.C345$bK47 2007
082 00 $a791.43/6164$222
100 1 $aKerner, Aaron.
245 10 $aRepresenting the catastrophic :$bcoming to terms with "unimaginable" suffering and "incomprehensible" horror in visual culture /$cAaron Kerner ; with a preface by Bill Nichols.
260 $aLewiston :$bEdwin Mellen Press,$cc2007.
300 $av, 316 p., [8] p. of plates :$bcol. ill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 275-301), filmography (p. 303-307) and index.
505 0 $aCh. 1. Introduction : representing the catastrophic -- Ch. 2. Catastrophic history : the qualities of catastrophe -- Ch. 3. Witness and the historical process : testifying to the catastrophic -- Ch. 4. Allegory : history as palimpsest -- Ch. 5. Gojira vs. Godzilla : allegories of the catastrophic event -- Ch. 6. Marquis de Sade : the allegoreis of a catastrophic historian -- Ch. 7. Pier Paolo Pasolini's Salo : The 120 days of sodom : cinema that speaks abjection -- Ch. 8. Documentary : documenting the catastrophic -- Ch. 9. Catastrophic comics -- Ch. 10. Conclusion : reconstructing memories.
650 0 $aCatastrophical, The, in motion pictures.
938 $aBaker & Taylor$bBKTY$c119.95$d.00$i0773454101$n0007281951$sactive
938 $aYBP Library Services$bYANK$n2557861
938 $aBaker and Taylor$bBTCP$nBK0007281951
947 $fCOLS-MFA$hCIRCSTACKS$p$119.95$q1
949 $aPN 1995.9.C345 K47 2007$i31786102217301
994 $a92$bCNU
999 $aPN 1995.9 .C345 K47 2007$wLC$c1$i31786102217301$lCIRCSTACKS$mNULS$rY $sY$tBOOK$u11/28/2007