MARC record from Internet Archive

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001 ocm34933112
003 OCoLC
005 20221004014142.0
008 960610s1996 ncu b 001 0 eng
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035 $a(OCoLC)34933112$z(OCoLC)37559846$z(OCoLC)1110348419$z(OCoLC)1176216364
043 $aec-----$aee-----
050 00 $aML240.5$b.R48 1996
060 4 $a000089542
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245 00 $aRetuning culture :$bmusical changes in Central and Eastern Europe /$cedited by Mark Slobin.
260 $aDurham :$bDuke University Press,$c1996.
300 $avi, 310 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 277-291) and index.
520 $aAs a measure of individual and collective identity, music offers both striking metaphors and tangible data for understanding societies in transition--and nowhere is this clearer than in the recent case of the Eastern Bloc. Retuning Culture presents an extraordinary picture of this phenomenon. This pioneering set of studies traces the tumultuous and momentous shifts in the music cultures of Central and Eastern Europe from the first harbingers of change in the 1970s through the revolutionary period of 1989-90 to more recent developments. During the period of state socialism, both the reinterpretation of the folk music heritage and the domestication of Western forms of music offered ways to resist and redefine imposed identities. With the removal of state control and support, music was free to channel and to shape emerging forms of cultural identity. Stressing both continuity and disjuncture in a period of enormous social and cultural change, this volume focuses on the importance and evolution of traditional and popular musics in peasant communities and urban environments in Hungary, Poland, Romania, Russia, the Czech Republic, Ukraine, the former Yugoslavia, Macedonia, and Bulgaria. Written by longtime specialists in the region and considering both religious and secular trends, these essays examine music as a means of expressing diverse aesthetics and ideologies, participating in the formation of national identities, and strengthening ethnic affiliation. Retuning Culture provides a rich understanding of music's role at a particular cultural and historical moment. Its broad range of perspectives will attract readers with interests in cultural studies, music, and Central and Eastern Europe [Publisher description].
505 00 $tDmitri Pokrovsky and the Russian folk music revival movement /$rTheodore Levin --$tKundera's musical Joke and "folk" music in Czechoslovakia, 1948-? /$rMichael Beckerman --$tAesthetic of the Hungarian revival movement /$rJudit Frigyesi --$tLakodalmas rock and the rejection of popular culture in post-socialist Hungary /$rBarbara Rose Lange --$tContinuity and change in eastern and central European traditional music /$rAnna Czekanowska --$tSouthern wind of change : style and the politics of identity in prewar Yugoslavia /$rLjerka Vidíc Rasmussen --$tIlahiya as a symbol of Bosnian Muslim national identity /$rMirjana Lauševíc --$tNationalism on stage : music and change in Soviet Ukraine /$rCatherine Wanner --$tRomanian revolution of December 1989 and its reflection in musical folklore /$rSteluţa Popa --$tDialectic of economics and aesthetics in Bulgarian music /$rTimothy Rice --$tWedding musicians, political transition, and national consciousness in Bulgaria /$rDonna A. Buchanan --$tMusic and marginality : Roma (Gypsies) of Bulgaria and Macedonia /$rCarol Silverman --$tChange as confirmation of continuity as experienced by Russian Molokans /$rMargarita Mazo.
650 0 $aMusic$zEurope, Central$y20th century$xHistory and criticism.
650 0 $aMusic$zEurope, Eastern$y20th century$xHistory and criticism.
650 0 $aMusic$xSocial aspects.
650 0 $aMusic and state$zEurope, Central.
650 0 $aMusic and state$zEurope, Eastern.
650 0 $aMusic$xSocial aspects$zEurope, Central$xHistory$y20th century.
650 0 $aMusic$xSocial aspects$zEurope, Eastern$xHistory$y20th century.
650 1 $aMusic$zEurope, Eastern$y20th century$xHistory and criticism.
650 2 $aMusic and society.
650 3 $aMusic and state$zEurope, Central.
650 6 $aMusique$zEurope centrale$y20e siècle$xHistoire et critique.
650 6 $aMusique$zEurope de l'Est$y20e siècle$xHistoire et critique.
650 6 $aMusique$xPolitique gouvernementale$zEurope centrale.
650 6 $aMusique$xPolitique gouvernementale$zEurope de l'Est.
650 6 $aMusique$xAspect social$zEurope centrale$xHistoire$y20e siècle.
650 6 $aMusique$xAspect social$zEurope de l'Est$xHistoire$y20e siècle.
650 6 $aMusique$xAspect social.
650 7 $aMusic and state.$2fast$0(OCoLC)fst01030489
650 7 $aMusic$2fast$0(OCoLC)fst01030269
650 7 $aMusic$xSocial aspects.$2fast$0(OCoLC)fst01030444
651 7 $aCentral Europe.$2fast$0(OCoLC)fst01244544
651 7 $aEastern Europe.$2fast$0(OCoLC)fst01245079
650 7 $aKultur$2gnd
650 7 $aMusikleben$2gnd
651 7 $aOsteuropa$2gnd
650 7 $aSozialer Wandel$2gnd
650 7 $aMusik$2gnd
610 27 $aAssociation Mitteleuropa$2gnd
650 7 $aMusic$zEurope, Eastern$xHistory and criticism.$2nli
650 7 $aMusic$zEurope, Central$xHistory and criticism.$2nli
650 7 $aMusic$xSocial aspects.$2nli
650 7 $aMusic and state$zEurope, Central.$2nli
650 7 $aMusic and state$zEurope, Eastern.$2nli
650 7 $aMusic$zEurope, Eastern$y20th century$xHistory and criticism.$2nli
650 7 $aMusic$zEurope, Central$y20th century$xHistory and criticism.$2nli
650 7 $aMusique$zEurope centrale$y20e siècle$xHistoire et critique.$2ram
650 7 $aMusique$zEurope de l'Est$y20e siècle$xHistoire et critique.$2ram
650 7 $aMusique$xAspect social$zEurope centrale.$2ram
650 7 $aMusique$xAspect social$zEurope de l'Est.$2ram
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 4 $aKongreß$zNew Haven (Conn.)$y1993.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aSlobin, Mark.
776 08 $iOnline version:$tRetuning culture.$dDurham : Duke University Press, 1996$w(OCoLC)654648543
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007661373&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
856 41 $uhttps://doi.org/10.1215/9780822397885
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