MARC record from Internet Archive

LEADER: 05174cam 2200889 a 4500
001 ocm39456033
003 OCoLC
005 20200626041552.0
008 980701s1999 nju b 001 0 eng
010 $a 98035806
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016 7 $a007813790$2Uk
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035 $a(OCoLC)39456033$z(OCoLC)1027359950
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050 00 $aPR4219$b.R54 1999
082 00 $a821/.8$221
084 $aHL 2145$2rvk
100 1 $aRigg, Patricia Diane,$d1951-
245 10 $aRobert Browning's romantic irony in The ring and the book /$cPatricia Diane Rigg.
260 $aMadison [N.J.] :$bFairleigh Dickinson University Press,$c©1999.
300 $a153 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 136-150) and index.
505 0 $aIntroduction: Romanticism, Romantic Irony, Readers -- 1. The Outer Circle: The Poet -- 2. The Second Circle -- pt. 1. The Roman Speakers -- pt. 2. The Lawyers and The Venetian Visitor -- 3. The Middle Circle: The Pope and Fra Celestino -- 4. The Inner Circle: Guido and Caponsacchi -- 5. The Epicenter: Pompilia.
520 1 $a"This study is a reading of Robert Browning as an ironist in the tradition of the German Romanticist Friedrich Schlegel, who coined the term "Romantic irony." Specifically, Patricia Diane Rigg considers historicity or historical truth in Browning's The Ring and the Book by distinguishing between the processes of representation and re-presentation within the context of Romantic irony." "In the framing monologues, the Poet seems to blur the distinction between representing (embodying or symbolizing) and re-presenting (offering anew) the truth-telling process that shapes the narrative of the poem. Rigg's premise is twofold: first, Browning tells "a truth obliquely," deliberately using language to subvert truth and to reveal it simultaneously; second, truth is linked not to a fixed text but to authorial and reader production of that text. In the language of Romantic irony, The Ring and the Book is "organized chaos," revealing history in terms of "becoming" rather than "being" and revealing historical truth as process rather than as product."--Jacket.
600 10 $aBrowning, Robert,$d1812-1889.$tRing and the book.
600 10 $aFranceschini, Guido,$cconte,$d1657-1698$xIn literature.
600 10 $aFranceschini, Pompilia,$d1680-1698$xIn literature.
600 16 $aBrowning, Robert,$d1812-1889.$tRing and the book.
600 17 $aFranceschini, Guido,$cconte,$d1657-1698$2fast$0(OCoLC)fst00138543
600 17 $aFranceschini, Pompilia,$d1680-1698$2fast$0(OCoLC)fst00137575
630 07 $aRing and the book (Browning, Robert)$2fast$0(OCoLC)fst01356197
600 17 $aBrowning, Robert$d1812-1889$tThe ring and the book$2gnd
600 17 $aBrowning, Robert.$2swd
630 07 $aRing and the book.$2swd
650 0 $aHistorical poetry, English$xHistory and criticism.
650 0 $aTrials (Murder) in literature.
651 0 $aRome (Italy)$xIn literature.
650 0 $aMurder in literature.
650 0 $aIrony in literature.
650 0 $aRomanticism$zEngland.
650 6 $aPoésie historique anglaise$xHistoire et critique.
650 6 $aMeurtre dans la littérature.
650 6 $aIronie dans la littérature.
650 6 $aRomantisme$zAngleterre.
650 6 $aFranceschini, Guido, conte 1657-1698 dans la littérature.
650 6 $aFranceschini, Pompilia, 1680-1698 dans la littérature.
650 6 $aRome (Italie) dans la littérature.
650 7 $aHistorical poetry, English.$2fast$0(OCoLC)fst00958171
650 7 $aIrony in literature.$2fast$0(OCoLC)fst00979394
650 7 $aLiterature.$2fast$0(OCoLC)fst00999953
650 7 $aMurder in literature.$2fast$0(OCoLC)fst01029804
650 7 $aRomanticism.$2fast$0(OCoLC)fst01100133
650 7 $aTrials (Murder) in literature.$2fast$0(OCoLC)fst01156374
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
651 7 $aItaly$zRome.$2fast$0(OCoLC)fst01204500
650 7 $aRomantische Ironie$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aRigg, Patricia Diane, 1951-$tRobert Browning's romantic irony in The ring and the book.$dMadison [N.J.] : Fairleigh Dickinson University Press, ©1999$w(OCoLC)607141180
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948 $hNO HOLDINGS IN P4A - 234 OTHER HOLDINGS