| Record ID | ia:sacredwoodess00eliorich |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/sacredwoodess00eliorich/sacredwoodess00eliorich_marc.xml |
| Download MARC binary | https://www.archive.org/download/sacredwoodess00eliorich/sacredwoodess00eliorich_meta.mrc |
LEADER: 01330nam^a2200265^^^4500
001 SBXL000782232
005 20020717043340.0
008 881021s1921 nyu 000 0 eng d
035 $a(CStRLIN)CASX88-B43821
035 9 $a(SBN)ADH5278
035 9 $a(SBN)ADH5278
040 $aTNJ$cTNJ$dm.c.$dCU-BANC$dCStRLIN$dCU-SB
100 10 $aEliot, T. S.$q(Thomas Stearns),$d1888-1965.
245 14 $aThe sacred wood;$bessays on poetry and criticism,$cby T. S. Eliot.
260 0 $aNew York,$bAlfred A. Knopf,$c1921.
300 $avii-xviii, 1 ., 155 p.$c16 cm.
505 0 $aIntroduction.--The perfect critic.--Imperfect critics: Swinburne as critic. A romantic aristocrat [George Wyndham] The local flavour. A note on the American critic. The French intelligence.--Tradition and the individual talent.--The possibility of a poetic drama.--Euripides and Professor Murray.--Rhetoric and poetic drama.--Notes on the blank verse of Christopher Marlowe.--Hamlet and his problems.--Ben Jonson.--Philip Massinger.--Swinburne as poet.--Blake.--Dante.
510 4 $aGallup$cA5b.
650 0 $aCriticism.
650 0 $aLiterature.
852 $aSDB$bcpx$hPN511$i.E44 1921
852 $aGLAD$bBNRLF$jPRS.E47S16.1921n$pV 3 400
852 $aSBXL$bSPEC$hPS3509.L43$iS33 1921$nus
090 $aPS3509.L43$bS33 1921$i10/21/88 CT
901 $aSBXL$b000782232