Record ID | ia:sculpture0000raws |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/sculpture0000raws/sculpture0000raws_marc.xml |
Download MARC binary | https://www.archive.org/download/sculpture0000raws/sculpture0000raws_meta.mrc |
LEADER: 03335cam 2200565 a 4500
001 ocm35042194
003 OCoLC
005 20200629020753.0
008 960625s1997 paua 001 0 eng
010 $a 96028432
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035 $a(OCoLC)35042194$z(OCoLC)491095468$z(OCoLC)794977839$z(OCoLC)795107226$z(OCoLC)1008382731
050 00 $aNB60$b.R36 1997
082 00 $a731/.028$220
084 $a21.50$2bcl
100 1 $aRawson, Philip S.
245 10 $aSculpture /$cPhilip Rawson.
260 $aPhiladelphia :$bUniversity of Pennsylvania Press,$c©1997.
300 $axi, 162 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index.
505 00 $g1.$tIntroduction --$g2.$tProcesses and materials --$g3.$tColor in sculpture --$g4.$tScale, environment, and space --$g5.$tForm and realization : general --$g6.$tForm and realization : specific --$g7.$tAggregates --$g8. The overall image --$g9.$tSculptural drawing.
520 $aPhilip Rawson, a distinguished academic and author, practiced as a sculptor all of his life. Sculpture, his final book, completes the trilogy begun with his classic works, Drawing and Ceramics. As in those earlier volumes, Rawson provides a clear, factual description of the underlying principles and structural techniques of the art. Although Rawson discusses sculptures from many places and periods - including Africa, Asia, Greece, Medieval and Renaissance Europe, and twentieth-century Europe and America - Sculpture is not a history as such. Rather, it is an original analysis of sculpture as a fundamental and integral form of human "language" capable of conveying a variety of different insights, offering a wealth of cultural and symbolic meaning. In the course of this analysis, Sculpture explores the full range of expressive techniques available to the sculptor today. Rawson's intent is to reveal possible modes of sculptural thought for practitioners and to enable the nonexpert to better understand and appreciate the emotional and intellectual content of any work.
650 0 $aSculpture.
650 7 $aSculpture.$2fast$0(OCoLC)fst01109483
650 17 $aPlastische kunst.$2gtt
650 7 $aSculpture$xHistoire.$2ram
650 7 $aSculpture$xAspect symbolique.$2ram
650 07 $aPlastik.$2swd
655 7 $aSculptures.$2fast$0(OCoLC)fst01986237
655 7 $aSculptures.$2lcgft
776 08 $iOnline version:$aRawson, Philip S.$tSculpture.$dPhiladelphia : University of Pennsylvania Press, ©1997$w(OCoLC)606106386
938 $aBrodart$bBROD$n50550152$c$29.95
938 $aBaker and Taylor$bBTCP$n96028432
938 $aYBP Library Services$bYANK$n1343298
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