| Record ID | ia:seculardevotiona2008bren |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/seculardevotiona2008bren/seculardevotiona2008bren_marc.xml |
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005 20191109073109.6
008 090107t20082008enkag b 001 0 eng d
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049 $aMAIN
100 1 $aBrennan, Timothy,$d1953-$eauthor.
245 10 $aSecular devotion :$bAfro-Latin music and imperial jazz /$cTimothy Brennan.
264 1 $aLondon ;$aNew York :$bVerso,$c[2008]
264 4 $c©2008
300 $axiv, 290 pages :$billustrations, music ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 247-274) and index.
505 0 $aWorld music does not exist -- Surrealism and the Son -- Face down in the mainstream -- Rap and American business -- Global youth and local pleasure -- The war of writing on music : Mumbo jumbo -- Imperial jazz.
520 1 $a"Popular music in the Americas, from jazz, Cuban and Latin salsa to disco and rap, is overwhelmingly neo-African. Created in the midst of war and military invasion, and filtered through a Western worldview, these musical forms are completely modern in their sensibilities: they are in fact the very sound of modern life. But the African religious philosophy at their core involved a longing for earlier eras - ones that pre-dated the technological discipline of labor forced on captive populations by capitalism. In this groundbreaking new book, Timothy Brennan shows how the popular music of the Americas - the music of entertainment, nightlife, and leisure - is involved in a devotion to an African religious worldview that survived the ravages of slavery and found its way into the rituals of everyday listening. He explores the challenge that Afro-Latin music poses to Western cultural imperialism, and the processes by which it has been absorbed into the imperial impagination."--Jacket.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aPopular music$zLatin America$xHistory and criticism.
650 0 $aPopular music$zUnited States$xHistory and criticism.
650 0 $aLatin jazz$xHistory and criticism.
650 0 $aBlacks$zLatin America$xMusic$xHistory and criticism.
650 0 $aWorld music$zLatin America$xHistory and criticism.
650 0 $aWorld music$xHistory and criticism.
650 7 $aBlacks$xMusic.$2fast$0(OCoLC)fst00833971
650 7 $aLatin jazz.$2fast$0(OCoLC)fst00993123
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aWorld music.$2fast$0(OCoLC)fst01181375
651 7 $aLatin America.$2fast$0(OCoLC)fst01245945
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aGeschichte$2gnd
650 7 $aJazz$2gnd
650 7 $aMusik$2gnd
650 7 $aSchwarze$2gnd
650 7 $aWeltmusik$2gnd
651 7 $aUSA$2gnd
650 07 $aWeltmusik.$2swd
651 7 $aUSA.$2swd
651 7 $aSchwarze.$2swd
648 4 $aGeschichte.
648 7 $aGeschichte$2swd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aBrennan, Timothy, 1953-$tSecular devotion.$dLondon ; New York : Verso, 2008$w(OCoLC)639846604
856 41 $3Table of contents$uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017312211&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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