MARC record from Internet Archive

LEADER: 04256cam 2200565 a 4500
001 ocm38536000
003 OCoLC
005 20191223081408.0
008 980223s1998 deua b s011 0 eng
010 $a 98013769
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016 7 $a007127128$2Uk
019 $a1065389408$a1084278857$a1084825121
020 $a0874136571$q(alk. paper)
020 $a9780874136579$q(alk. paper)
035 $a(OCoLC)38536000$z(OCoLC)1065389408$z(OCoLC)1084278857$z(OCoLC)1084825121
050 00 $aPR2976$b.S33895 1998
082 00 $a822.3/3$221
245 00 $aShakespearean illuminations :$bessays in honor of Marvin Rosenberg /$cedited by Jay L. Halio and Hugh Richmond.
260 $aNewark :$bUniversity of Delaware Press ;$aLondon :$bAssociated University Presses,$c℗♭1998.
300 $a371 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $gPart I. The major tragedies --$tMapping the role : criticism and the construction of Shakespearean character /$rEllen J. O'Brien --$tGertred, captive queen of the first quarto /$rG.B. Shand --$tReading Hamlet in performance : the Laertes/Hamlet connection /$rJune Schlueter and James P. Lusardi --$tWhose work is this? Loading the bed in Othello /$rPhilip C. McGuire --$tKing Lear versus Hamlet in Eastern Europe /$rZdenek Stribrny --$tStaging King Lear 1.1 and 5.3 /$rJay L. Halio --$tA letter to the actor playing Lear /$rHugh Richmond --$tGleanings : the residue of difference in scripts : the case of Polanski's Macbeth /$rBernice W. Kliman --$tMacbeth at the turn of the millennium /$rBarbara Hodgdon --$tWho "Has NO children" in Macbeth? /$rTom Clayton --$gPart II. Language, politics, and history --$tSite-reading Shakespeare's dramatic scores /$rJohn F. Andrews --$tHistory-making in the Henriad /$rMichael Goldman --$tThe historical subject as Roman actor and agent of history : interrogative dramatic structure in Julius Caesar /$rGunter Walch --$tMarlowe and Shakespeare's African queens /$rMaurice Charney --$gPart III. Actors and acting, directing and staging --$tOn the aesthetics of acting /$rStephen Booth --$tKilling Mercutio : or, is there such a thing as an actor-playwright? /$rLois Potter --$t'What do I do now?" Directing A midsummer night's dream /$rSidney Homann --$tStatues : Mary Anderson, Shakespeare, and statuesque acting /$rCary M. Mazer --$t"My learned and well-beloved servant Cranmer" : Guthrie's Henry VIII /$rRalph Berry --$tTechniques of restoration : the case of The Duchess of Malfi /$rJohn Russell Brown --$tWomen play women in the liturgical drama of the Middle Ages /$rDunbar H. Ogden.
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.
600 17 $aShakespeare, William,$d1564-1616$2fast$0(OCoLC)fst00029048
600 17 $aShakespeare, William.$2swd
650 07 $aAufsatzsammlung.$2swd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aHalio, Jay L.
700 1 $aRichmond, Hugh M.
700 1 $aRosenberg, Marvin.
776 08 $iOnline version:$tShakespearean illuminations.$dNewark : University of Delaware Press ; London : Associated University Presses, ℗♭1998$w(OCoLC)605568748
776 08 $iOnline version:$tShakespearean illuminations.$dNewark : University of Delaware Press ; London : Associated University Presses, ℗♭1998$w(OCoLC)606124950
856 42 $3The Horace Howard Furness Memorial Fund Home Page$uhttp://hdl.library.upenn.edu/1017.12/366213
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938 $aBaker and Taylor$bBTCP$n98013769
938 $aYBP Library Services$bYANK$n1508421
938 $aYBP Library Services$bYANK$n8648995
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948 $hNO HOLDINGS IN P4A - 326 OTHER HOLDINGS