Record ID | ia:shapingforcesinm0000toch |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/shapingforcesinm0000toch/shapingforcesinm0000toch_marc.xml |
Download MARC binary | https://www.archive.org/download/shapingforcesinm0000toch/shapingforcesinm0000toch_meta.mrc |
LEADER: 01695cam a22003971 4500
001 ocm00391607
003 OCoLC
005 20191109072017.4
008 720825s1948 nyug 000 0 eng
010 $a 48003971
040 $aDLC$beng$cDLC$dDLC$dMUQ$dOCLCF$dKQZ$dPAU$dOUN$dWYU$dCSL
019 $a978057077$a1080753554
029 1 $aNZ1$b752351
029 1 $aNZ1$b5943815
029 1 $aAU@$b000022082278
035 $a(OCoLC)00391607$z(OCoLC)978057077$z(OCoLC)1080753554
050 00 $aMT6$b.T6
051 $aML29g$b.T64 no. 1
082 $a781
049 $aMAIN
100 1 $aToch, Ernst,$d1887-1964.
245 14 $aThe shaping forces in music,$ban inquiry into harmony, melody, counterpoint, form.
260 $aNew York,$bCriterion Music Corp.$c[1948]
300 $aiv, 245 p.$bmusic.$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 0 $aHarmony and chord -- Harmony as arrested motion -- The expanding harmonic universe -- Melody versus harmony -- The wave line -- How harmony influences melody -- Deflections and other special features -- The meaning of counterpoint -- Ornamental and fermentative counterpoint -- The bases of form -- The art of joining -- The formative influence of movement -- Beginning and ending.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aMusic theory.
650 6 $aThéorie musicale.
650 7 $aMusic theory.$2fast$0(OCoLC)fst01030620
776 08 $iOnline version:$aToch, Ernst, 1887-1964.$tShaping forces in music.$dNew York, Criterion Music Corp. [1948]$w(OCoLC)592622094
994 $a92$bERR
976 $a31927001051553