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LEADER: 03769cam 22005894a 4500
001 ocm50684193
003 OCoLC
005 20181219015346.0
008 020923s2003 vaua bc 000 0 eng
010 $a 2002015645
040 $aDLC$beng$cDLC$dUKM$dC#P$dBAKER$dBTCTA$dYDXCP$dIG#$dMNE$dBDX$dOCLCF$dOCLCQ$dGILDS$dOCLCO
015 $aGBA3X4615$2bnb
019 $a1022617141
020 $a081392183X$q(pbk. ;$qalk. paper)
020 $a9780813921839$q(pbk. ;$qalk. paper)
035 $a(OCoLC)50684193$z(OCoLC)1022617141
042 $apcc
043 $an-us-va
050 00 $aNX456.5.S57$bS58 2003
082 00 $a709/.04/07$221
245 00 $aSiting Jefferson :$bcontemporary artists interpret Thomas Jefferson's legacy /$cedited by Jill Hartz.
260 $aCharlottesville :$bUniversity of Virginia Press,$c2003.
300 $aviii, 110 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aBased on the exhibition "Hindsight/Fore-site: Art for the New Millennium," University of Virginia Art Museum.
504 $aIncludes bibliographical references.
505 00 $tIntroduction /$rJill Hartz --$tNew Art, Familiar Grounds /$rJohn Beardsley --$tThomas Jefferson and the Life of the Mind /$rJohn T. Casteen III --$tSusan Bacik --$tAgnes Denes --$tBarbara MacCallum --$tLydia Csato Gasman --$tPeter O'Shea and Robert Winstead --$tLincoln Perry --$tThomas Jefferson and the Land: The View from Monticello /$rLucia Stanton --$tDove Bradshaw --$tSusan Crowder --$tDan Mahon --$tMegan Marlatt --$tBeatrix Ost --$tLucio Pozzi --$tJames Welty --$tThomas Jefferson, Race, and National Identity /$rPeter S. Onuf --$tTodd Murphy --$tMartha Jackson-Jarvis --$tMichael Mercil --$tDaniel Reeves --$tDennis Oppenheim --$tThomas Jefferson and the New Millennium /$rLyn Bolen Rushton --$tRosemarie Fiore --$tTim Curtis --$tAnn Hamilton --$gApp.$tIn My Father's House: An Historical Melancholy in Two Acts /$rMichael Mercil.
520 1 $a"In the summer of 2000, the University of Virginia Art Museum mounted an unusual site-specific exhibition called "Hindsight/Fore-site: Art for the New Millennium," for which twenty-four artists created art-works inspired by Thomas Jefferson's legacy. The projects were conceptually ambitous and visually compelling, yet most were ephemeral, making the eighty illustrations and accompanying essays in Siting Jefferson a particularly valuable documentation of a largely unreplicable exhibition."--Jacket.
600 10 $aJefferson, Thomas,$d1743-1826$xAppreciation.
600 17 $aJefferson, Thomas,$d1743-1826$2fast$0(OCoLC)fst00040754
650 0 $aSite-specific installations (Art)$zVirginia$zCharlottesville Region$vExhibitions.
650 0 $aPerformance art$zVirginia$zCharlottesville Region$vExhibitions.
650 7 $aArt appreciation.$2fast$0(OCoLC)fst00815447
650 7 $aPerformance art.$2fast$0(OCoLC)fst01057852
650 7 $aSite-specific installations (Art)$2fast$0(OCoLC)fst01119791
651 7 $aVirginia$zCharlottesville Region.$2fast$0(OCoLC)fst01351203
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aHartz, Jill.
710 2 $aUniversity of Virginia.$bArt Museum.
938 $aBaker & Taylor$bBKTY$c20.00$d20.00$i081392183X$n0004087501$sactive
938 $aBrodart$bBROD$n60031271$c$20.00
938 $aBaker and Taylor$bBTCP$n2002015645
938 $aIngram$bINGR$n9780813921839
938 $aYBP Library Services$bYANK$n1935748
029 1 $aAU@$b000024122106
029 1 $aIG#$b9780813921839
029 1 $aYDXCP$b1935748
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 160 OTHER HOLDINGS