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MARC record from Internet Archive

LEADER: 03569cam 2200613Ma 4500
001 ocn883461157
003 OCoLC
005 20220120231720.0
008 140502r20142013enka 001 0 eng d
040 $aUKMGB$beng$cUKMGB$dOCLCO$dYDXCP$dOCLCF$dOCLCQ$dAU@$dYNG$dOCL$dUKUOY$dOCLCA$dOCL$dUKMGB$dOCLCQ$dOCLCO$dUKUSR$dOCLCO
015 $aGBB467908$2bnb
015 $aGBB361639$2bnb
016 7 $a016774318$2Uk
019 $a889857529$a973799605$a1004994423
020 $a9780571241385$q(pbk.)
020 $a0571241387$q(pbk.)
020 $a9780571241378
020 $a0571241379
035 $a(OCoLC)883461157$z(OCoLC)889857529$z(OCoLC)973799605$z(OCoLC)1004994423
043 $ae-uk---
050 14 $aPN2598.B6385$bA3 2014x
082 04 $a792.0233092$223
100 1 $aBlakemore, Michael,$d1928-$eauthor.
245 10 $aStage blood :$bfive tempestuous years in the early years of the National Theatre /$cMichael Blakemore.
264 1 $aLondon :$bFaber and Faber,$c2014.
300 $apages cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aOriginally published: 2013.
500 $aIncludes index.
520 $aIn 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.
600 10 $aBlakemore, Michael,$d1928-
600 10 $aOlivier, Laurence,$d1907-1989.
600 10 $aHall, Peter,$d1930-2017.
610 20 $aNational Theatre (Great Britain)
650 0 $aTheater$zGreat Britain$xHistory$y20th century.
650 7 $aPerforming Arts.$2eflch
600 17 $aBlakemore, Michael,$d1928-$2fast$0(OCoLC)fst00366946
600 17 $aHall, Peter,$d1930-2017$2fast$0(OCoLC)fst01822513
600 17 $aOlivier, Laurence,$d1907-1989.$2fast$0(OCoLC)fst00049225
610 27 $aNational Theatre (Great Britain)$2fast$0(OCoLC)fst00516054
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
650 7 $aPerforming Arts.$2ukslc
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
938 $aYBP Library Services$bYANK$n11223737
029 1 $aAU@$b000053350432
029 1 $aUKMGB$b016774318
029 1 $aUNITY$b134695380
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 39 OTHER HOLDINGS