Record ID | ia:stuartdavissabst0000wils |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/stuartdavissabst0000wils/stuartdavissabst0000wils_marc.xml |
Download MARC binary | https://www.archive.org/download/stuartdavissabst0000wils/stuartdavissabst0000wils_meta.mrc |
LEADER: 03130cam 2200637 a 4500
001 ocm28018445
003 OCoLC
005 20190415084855.0
008 930415s1993 cauaf b 000 0 eng
010 $a 93004338
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019 $a966187705
020 $a1566403162
020 $a9781566403160
035 $a(OCoLC)28018445$z(OCoLC)966187705
043 $an-us---
050 00 $aND237.D333$bW55 1993
082 00 $a759.13$220
084 $aJ205.712$2clc
100 1 $aWilson, William$q(William R.)
245 10 $aStuart Davis's abstract argot /$cWilliam Wilson.
246 18 $aDavis's abstract argot
260 $aSan Francisco, Calif. :$bPomegranate Artbooks,$c℗♭1993.
300 $axv pages, 37 unnumbered leaves of plates :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"A chameleon book."
500 $a"The essential paintings series"--Jacket.
504 $aIncludes bibliographical references.
520 $aThis book examines Davis's life and art in the context of their colorful, disturbed times. The selected plates mark his development from social realist to cosmopolitan Parisian expatriate and sophisticated distiller of the American spirit. In the 1920s and 1930s Davis welded the discoveries of the avant-garde school of Paris to the slangy realism of the Yankee Ashcan painters. The resulting style (which he called--with tongue in cheek--"Colonial Cubism") embodied the rhythm, sass, and ebullience of that most original art form, jazz.
600 10 $aDavis, Stuart,$d1892-1964$xCriticism and interpretation.
600 16 $aDavis, Stuart,$d1892-1964.
600 17 $aDavis, Stuart$xCriticism and interpretation.$2cct
600 17 $aDavis, Stuart,$d1892-1964$2fast$0(OCoLC)fst00170811
650 0 $aPainting, Abstract$zUnited States.
650 6 $aPeintres$zE tats-Unis$vBiographies.
650 7 $aPainting, Abstract$yUnited States.$2cct
650 7 $aPainting, Abstract.$2fast$0(OCoLC)fst01050640
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 4 $aDavis, Stuart, 1892-1964$xCriticism and interpretation.
650 4 $aPainting, Abstract$xUnited States.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aDavis, Stuart,$d1892-1964.
776 08 $iOnline version:$aWilson, William (William R.).$tStuart Davis's abstract argot.$dSan Francisco, Calif. : Pomegranate Artbooks, ℗♭1993$w(OCoLC)624114813
938 $aBaker & Taylor$bBKTY$c24.95$d22.46$i1566403162$n0002309050$sactive
938 $aBaker and Taylor$bBTCP$n93004338 //r94
938 $aYBP Library Services$bYANK$n1203228
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029 1 $aHR0$b1566403162
029 1 $aNZ1$b4126985
029 1 $aUNITY$b089966007
029 1 $aYDXCP$b1203228
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 264 OTHER HOLDINGS