MARC record from Internet Archive

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100 1 $aLeatherbarrow, David.
245 10 $aSurface architecture /$cDavid Leatherbarrow and Mohsen Mostafavi.
260 $aCambridge, Mass. :$bMIT Press,$c©2002.
300 $a1 online resource (264 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 243-255) and index.
588 0 $aPrint version record.
505 0 $a1. Introduction: Why surface architecture? -- 2. Framing containment -- Framing the face -- Monumental volumes -- Representation and production -- Minimal surfaces -- The factory -- Total containment -- Chicago frames -- 3. Window/wall -- De-vignolization -- Viewing the landscape -- Opacity and transparency -- The oblique -- The painted view -- The depth of the window wall -- Taking stock -- Border adjustments -- Vertical and horizontal -- Misalignments -- Cladding as clothing -- Windows and/as walls -- 4. The appearance of covering -- Atectonic fabrications: Sliding surfaces -- Masking and revealing -- Symbolic surfaces -- The impressed facade: Tattoo -- Surface appliqué -- Impressions -- Planarity and surface impressions -- Aesthetics in an industrial age -- Ideality of the constructed fact -- Architecture for industry -- Factory-made -- 5. Adjusting standards -- The light of industry -- Modern appearances and practicality -- Prefabrication and personality -- Architecture en série -- Fabrication processes -- "For many years I wore the leather apron" -- 6. Premade-remade -- Open and closed systems of construction -- Brutal facts of building -- Facts of building and of life -- Invention and limited means -- Chance construction -- As found -- Formlessness -- 7. Technique and appearance: The task of the present -- Distraction -- Modern building and historical memory -- Representation and nonrepresentation -- Building images -- Postscript -- Technique -- Appropriation.
520 $aVisually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This text explores ways that design can take advantage of production methods so that architecture is neither independent of nor dominated by technology.
546 $aEnglish.
650 0 $aArchitecture.
650 0 $aArchitecture and technology.
650 0 $aMaterials$xAppearance.
650 6 $aArchitecture.
650 6 $aArchitecture et technologie.
650 6 $aMatériaux$xApparence.
650 7 $aarchitecture (discipline)$2aat
650 7 $aARCHITECTURE$xUrban & Land Use Planning.$2bisacsh
650 7 $aArchitecture.$2fast$0(OCoLC)fst00813346
650 7 $aArchitecture and technology.$2fast$0(OCoLC)fst00813591
650 7 $aMaterials$xAppearance.$2fast$0(OCoLC)fst01011776
650 7 $aBaustoff$2gnd
650 7 $aGebäudehülle$2gnd
650 7 $aBauornament$2gnd
650 17 $aGevels.$2gtt
650 17 $aStructuur.$2gtt
650 7 $aArchitecture.$2hilcc
650 7 $aArt, Architecture & Applied Arts.$2hilcc
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aMostafavi, Mohsen.
776 08 $iPrint version:$aLeatherbarrow, David.$tSurface architecture.$dCambridge, Mass. : MIT Press, ©2002$z0262134071$w(DLC) 2001056834$w(OCoLC)48710934
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