| Record ID | ia:surrealistlooker0000caws_c7k9 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/surrealistlooker0000caws_c7k9/surrealistlooker0000caws_c7k9_marc.xml |
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LEADER: 04061cam 2200805 a 4500
001 ocm35723595
003 OCoLC
005 20220722044856.0
008 961007s1997 maua b 001 0 eng
010 $a 96044541
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015 $aGB97-65799
019 $a37801774$a59589136$a1008236037$a1167032067
020 $a0262032449$q(hardcover ;$qalk. paper)
020 $a9780262032445$q(hardcover ;$qalk. paper)
020 $a0262531623
020 $a9780262531627
035 $a(OCoLC)35723595$z(OCoLC)37801774$z(OCoLC)59589136$z(OCoLC)1008236037$z(OCoLC)1167032067
050 00 $aNX456.5.S8$bC28 1997
080 $a704.2
082 00 $a700/.41163$221
084 $a20.30$2bcl
084 $a700.41163$223
100 1 $aCaws, Mary Ann.
245 14 $aThe surrealist look :$ban erotics of encounter /$cMary Ann Caws.
260 $aCambridge, Mass. :$bMIT Press,$c1997.
300 $axx, 344 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 313-335) and index.
505 00 $tPreface: Le Look --$tAcknowledgments --$g1.$tLook: Large and Baroque --$g2.$tMode: Seeing Through --$g3.$tProblem: The Personal Surrealist --$g4.$tFigure: Breton's Melusine --$g5.$tRhythm: Char and His Others --$g6.$tBody: Seeing the Surrealist Woman --$g7.$tPerson: Tanning's Self-Portraiture --$g8.$tDoubling: Claude Cahun's Split Self --$g9.$tFashion: Man Ray's Manipulations --$g10.$tDecor: Desnos in Mourning --$g11.$tPainting: Artaud and Monsieur Desir --$g12.$tConstructing: Joseph Cornell's Metaphysics of Memory --$g13.$tGame: Exquisite Excessive Corpse --$g14.$tFace: Still Envisaging Andre Breton --$g15.$tPointing: Wittgenstein and Duchamp --$g16.$tMeeting: The Erotics of Encounter --$g17.$tA Haunting Look --$tNotes --$tIndex.
520 $aThe emotional charge Surrealism extended to the objects of its encounter makes itself felt as at least philosophically erotic. This charged look determines the atmosphere around the Surrealist text and its encounters--in the world of art and the world it made into art. In this attempt to make sense of the way Surrealism sees, conceals, poses, and stares at its own self and the selves of others, the author examines the decors, games, portraits, transformations, and mirrorings that establish Surrealism's links to Baroque forms of representation.
650 0 $aSurrealism.
650 0 $aArts, Modern$y20th century.
650 0 $aArts, Baroque.
650 0 $aComparative arts.
600 14 $aTanning, Dorothea,$d1910-2012.
600 14 $aCahun, Claude,$d1894-1954.
600 14 $aMan Ray,$d1890-1976.
600 14 $aArtaud, Antonin,$d1896-1948.
600 14 $aCornell, Joseph,$d1903-1972.
600 14 $aBreton, André,$d1896-1966.
600 14 $aDuchamp, Marcel,$d1887-1968.
650 6 $aSurréalisme.
650 6 $aArts$y20e siècle.
650 6 $aArts baroques.
650 6 $aArts comparés.
650 7 $aSurrealist.$2aat
650 7 $aArts, Baroque.$2fast$0(OCoLC)fst00817918
650 7 $aArts, Modern.$2fast$0(OCoLC)fst00818137
650 7 $aComparative arts.$2fast$0(OCoLC)fst00871320
650 7 $aSurrealism.$2fast$0(OCoLC)fst01139538
650 17 $aBeeldende kunsten.$2gtt
650 17 $aSurrealisme.$2gtt
650 7 $aArt$y20e siècle.$2ram
650 7 $aSurréalisme (art)$2ram
648 7 $a1900-1999$2fast
938 $aBrodart$bBROD$n50496670$c$44.00
938 $aBaker and Taylor$bBTCP$n96044541
938 $aYBP Library Services$bYANK$n1339970
029 1 $aAU@$b000012862629
029 1 $aDEBSZ$b061821055
029 1 $aNZ1$b4180459
029 1 $aUNITY$b065586425
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948 $hNO HOLDINGS IN IME - 516 OTHER HOLDINGS