MARC record from Internet Archive

LEADER: 04990cam a2200949 a 4500
001 ocm35688174
003 OCoLC
005 20191109072256.5
008 960924s1997 miua b s001 0 eng
010 $a 96045790
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035 $a(OCoLC)35688174$z(OCoLC)48487186
043 $an-us-ca
050 00 $aPN3307.U6$bE4 1997
082 00 $a792/.0973$221
084 $a24.13$2bcl
084 $aHU 1777$2rvk
084 $aHU 1782$2rvk
049 $aMAIN
100 1 $aElam, Harry Justin.
245 10 $aTaking it to the streets :$bthe social protest theater of Luis Valdez and Amiri Baraka /$cHarry J. Elam, Jr.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c©1997.
300 $axi, 187 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTheater--theory/text/performance
504 $aIncludes bibliographical references (pages 167-175) and index.
505 0 $aAn initiation into the rituals of social protest theater: the cultural politics of El Teatro Campesino and the Black Revolutionary Theater -- Synergy -- the social environment as an active agent: Black Ice and Las Dos Caros del Patroncito -- Generating social changes and cultural affirmation: content and form in the plays of El Teatro and the BRT -- Rehearsing the revolution onstage: the social performance text and the performance space -- Performers and spectators: spiritual communion and subversive celebratin -- The rituals of social protest theater: reconsiderations and conclusions.
520 $aThe performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's Black Revolutionary Theater (BRT) during the '60s and '70s offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture.
520 8 $aIn Taking It to the Streets, Harry Elam compares the performance methodologies, theories, and practices of the two groups, highlighting their cross-cultural commonalities and providing insights into the complex genre of social protest performance and its interchange with its audience. He examines the ways in which ritual can be seen to operate within the productions of El Teatro and the BRT, uniting audience and performers in subversive, celebratory protest by transforming spectators into active participants within the theater walls - and into revolutionary activists outside.
590 $bInternet Archive - 2
590 $bInternet Archive 2
610 20 $aTeatro Campesino (Organization)
600 10 $aValdez, Luis$xCriticism and interpretation.
600 10 $aBaraka, Amiri,$d1934-2014$xCriticism and interpretation.
600 17 $aBaraka, Amiri,$d1934-2014$2fast$0(OCoLC)fst01774906
600 17 $aValdez, Luis.$2fast$0(OCoLC)fst00121444
610 27 $aTeatro Campesino (Organization)$2fast$0(OCoLC)fst00585658
610 27 $aEl Teatro Campesino$2gnd
600 17 $aBaraka, Imamu Amiri.$2swd
600 17 $aValdez, Luis.$2swd
600 14 $aBaraka, Imamu Amiri,$d1934-$xCriticism and interpretation.
600 14 $aValdez, Luis.
650 0 $aWorkers' theater$zCalifornia.
650 0 $aMexican American theater$zCalifornia.
650 7 $aMexican American theater.$2fast$0(OCoLC)fst01019028
650 7 $aWorkers' theater.$2fast$0(OCoLC)fst01180401
651 7 $aCalifornia.$2fast$0(OCoLC)fst01204928
650 17 $aPolitiek theater.$2gtt
650 17 $aArbeiderstoneel.$2gtt
650 17 $aEl Teatro Campesino.$2gtt
650 7 $aChicanos$2gnd
650 7 $aProtest$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aElam, Harry Justin.$tTaking it to the streets.$dAnn Arbor : University of Michigan Press, ©1997$w(OCoLC)648669012
830 0 $aTheater--theory/text/performance.
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/umich051/96045790.html
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