MARC record from Internet Archive

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100 1 $aHolland, Patricia,$d1936-
245 14 $aThe television handbook /$cPatricia Holland.
250 $a2nd ed.
260 $aLondon :$bNew York :$bRoutledge,$c2000.
300 $avii, 303 pages :$billustrations, map ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMedia practice
504 $aIncludes bibliographical references (pages 264-270) and index.
520 $aThe Television Handbook provides a critical introduction to both the theory and practice of the television industry. Patricia Holland considers the history and structure of British television and, at a time of rapid change, she explores the implications of the digital revolution. The Television Handbook offers practical advice on many aspects of programme-making from commissioning through to the post production process. The book brings together a wide range of information on all aspects of television and includes interviews with industry figures such as Tony Garnett and Phil Redmond and with innovative producers, directors and commissioning editors. The Television Handbook bridges the gap between theory and practice. In this new edition, Patricia Holland discusses important genres and concepts such as narrative, documentary and news. Newly updated chapters from James Curran, Tony Dowmunt and Robin Small consider television journalism, access programming and production management. A new chapter provides a critical introduction to television studies and media theory. The Television Handbook includes: * Interviews with directors, editors, producers and trainees * Updated and illustrated advice on camera, sound and editing practice * Advice on courses and funding for independent production * A revised glossary of specialist terms * A comprehensive list of key texts and television programmes.
505 0 $aOn television practice and television studies -- Television in a changing world -- Television training and tele-literacy -- Studying television -- Studying television? -- Project? -- The institutional context -- Mapping the field -- The landscape of television in the United Kingdom -- The growth of public service broadcasting -- Regulation -- Genres, schedules, ratings and the television flow -- The practitioner's perspective -- Television from the practitioner's perspective -- Working in television -- Work areas in the television industry -- Programme production types -- Producing and pre-production -- Production management / Robin Small -- Production techniques: the visual dimension -- Director and crew -- The visual dimension: cameras, formats and the love of the image -- Types of shot -- The director's concerns -- Lighting and the cinematographer -- Visions of light -- Lighting: basic principles -- Nick Hale: cinematographer -- A note on women as technicians -- Production techniques: sound -- Television and the flow of sound -- Types of television sound -- Recording and 'audio design' -- Post-production processes: editing -- Sequence and structure -- Types of transition -- Technologies and contexts -- The processes of editing -- Styles of editing -- Post-production processes: sound and graphics -- The aural dimension -- Sound editing -- Dubbing -- The graphics revolution -- About programmes -- Narrative television -- Fictional narratives -- Narrative theory -- Tony Garnett: producer -- Everyday television -- Ordinary television -- Helen Swords: research and production in daytime television and satellite -- Television sport -- Rupert Rumney: sports producer -- Documentary and factual television -- Representing reality -- On genres, styles and formats -- Current documentary genres -- John Wyver: producer -- Research and interview techniques -- Leanne Klein: documentary producer/director -- Documentary dilemmas -- News, politics and television as information -- News in a democratic society -- Producing the news -- Changing news -- Television and the public sphere -- Television journalism: theory and practice, the case of Newsnight: James Curran -- Access: television at the margins: Tony Dowmunt -- From ideas to programmes -- Education, training and getting into the industry -- Who needs media studies? -- Training and qualifications -- Susan Williams: AFM and ft2 trainee -- Phil Redmond: Mersey Television -- Courses and where to look them up -- 'A training in ideas?' -- Stuart Cosgrove: Head of Programmes, Channel Four Nations and Regions -- The commissioning process -- Turning an idea into a commission -- Targeting the broadcasters -- Alan Hayling: Channel Four -- Jeremy Howe: BBC Bristol -- Pitching an idea -- Funds and opportunities -- Beryl Richards: writer and director -- The changing face of television -- Changing technologies -- Changing technology: changing consciousness -- John Wyver: producer -- Beyond television -- The digital revolution -- Ownership and globalisation -- Television in the new century.
650 0 $aTelevision$xProduction and direction$vHandbooks, manuals, etc.
650 0 $aTelevision broadcasting$vHandbooks, manuals, etc.
650 6 $aTélévision$xProduction et réalisation$vGuides, manuels, etc.
650 6 $aTélévision$xGuides, manuels, etc.
650 7 $a05.36 television.$0(NL-LeOCL)077592727$2bcl
650 7 $aTelevision broadcasting.$2fast$0(OCoLC)fst01146714
650 7 $aTelevision$xProduction and direction.$2fast$0(OCoLC)fst01146585
650 17 $aTelevisie.$2gtt
655 7 $aHandbooks and manuals.$2fast$0(OCoLC)fst01423877
655 7 $aTextbooks (form)$0(NL-LeOCL)088143252$2gtt
830 0 $aMedia practice.
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0650/99052354-d.html
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938 $aCRC Press$bCRCP$nRUT0RU19850000
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