MARC record from Internet Archive

LEADER: 07985cam 2201501 a 4500
001 ocm35292786
003 OCoLC
005 20200520110319.0
008 960809s1997 ncua b 001 0 eng
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035 $a(OCoLC)35292786$z(OCoLC)39216488$z(OCoLC)1022733055
043 $ae-uk---
050 00 $aPR868.B58$bO34 1997
082 00 $a823/.809353$220
084 $a18.05$2bcl
084 $aHL 1101$2rvk
084 $aHL 1331$2rvk
100 1 $aO'Farrell, Mary Ann.
245 10 $aTelling complexions :$bthe nineteenth-century English novel and the blush /$cMary Ann O'Farrell.
260 $aDurham, N.C. :$bDuke University Press,$c1997.
300 $a182 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 145-178) and index.
530 $aAlso issued online.
520 1 $a"In Telling Complexions Mary Ann O'Farrell explores the frequent use of "the blush" in Victorian novels as a sign of characters' inner emotions and desires. Through lively and textured readings of works by such writers as Jane Austen, Elizabeth Gaskell, Charles Dickens, and Henry James, O'Farrell illuminates literature's relation to the body and the body's place in culture. In the process, she plots a trajectory for the nineteenth-century novel's shift from the practices of manners to the mode of self-consciousness." "Although the blush was used to tell the truth of character and body, O'Farrell shows how it is actually undermined as a stable indicator of character in novels such as Pride and Prejudice, Persuasion, North and South, and David Copperfield. She reveals how the writers of these novels then moved on in search of other bodily indicators of mortification and desire, among them the swoon, the scar, and the blunder. Providing unique and creative insights into the constructedness of the body and its semiotic play in literature and in culture, Telling Complexions includes parallel examples of the blush in contemporary culture and describes ways that textualized bodies are sometimes imagined to resist the constraints imposed by such construction."--Jacket.
505 00 $g1.$tAusten's Blush: Pride and Prejudice --$g2.$tMortifying Persuasions, or the Worldliness of Jane Austen --$g3.$tGaskell's Blunders: North and South --$g4.$tDickens's Scar: Rosa Dartle and David Copperfield --$g5.$tThe Mechanics of Confusion.
600 10 $aAusten, Jane,$d1775-1817$xKnowledge$xPsychology.
600 10 $aGaskell, Elizabeth Cleghorn,$d1810-1865$xKnowledge$xPsychology.
600 10 $aDickens, Charles,$d1812-1870$xKnowledge$xPsychology.
600 16 $aAusten, Jane,$d1775-1817$xEt la psychologie.
600 16 $aGaskell, Elizabeth Cleghorn,$d1810-1865$xEt la psychologie.
600 16 $aDickens, Charles,$d1812-1870$xEt la psychologie.
600 17 $aAusten, Jane,$d1775-1817$2fast$0(OCoLC)fst00032929
600 17 $aDickens, Charles,$d1812-1870$2fast$0(OCoLC)fst00028294
600 17 $aGaskell, Elizabeth Cleghorn,$d1810-1865$2fast$0(OCoLC)fst00049315
600 17 $aAusten, Jane$d1775-1817$tPride and prejudice$2gnd
600 17 $aDickens, Charles$d1812-1870$tDavid Copperfield$2gnd
600 17 $aGaskell, Elizabeth Cleghorn$d1810-1865$tNorth and south$2gnd
600 17 $aDickens, Charles.$2swd
600 17 $aGaskell, Elizabeth Cleghorn.$2swd
600 17 $aAusten, Jane.$2swd
600 17 $aAusten, Jane,$d1775-1817$xanalys och tolkning.$2sao
600 17 $aGaskell, Elizabeth Cleghorn,$d1810-1865$xanalys och tolkning.$2sao
600 17 $aDickens, Charles,$d1812-1870$xanalys och tolkning.$2sao
600 14 $aAusten, Jane,$d1775-1817$xKnowledge$xPsychology.
600 14 $aDickens, Charles,$d1812-1870$xKnowledge$xPsychology.
600 14 $aGaskell, Elizabeth,$d1810-1865$xKnowledge$xPsychology.
650 0 $aEnglish fiction$y19th century$xHistory and criticism.
650 0 $aBlushing in literature.
650 0 $aPsychological fiction, English$xHistory and criticism.
650 0 $aWomen and literature$zEngland$xHistory$y19th century.
650 0 $aPsychology in literature.
650 0 $aEmotions in literature.
650 6 $aRoman anglais$y19e siècle$xHistoire et critique.
650 6 $aRougissement en littérature.
650 6 $aRoman psychologique anglais$xHistoire et critique.
650 6 $aFemmes et littérature$zAngleterre$xHistoire$y19e siècle.
650 6 $aPsychologie dans la littérature.
650 6 $aÉmotions dans la littérature.
650 7 $aBlushing in literature.$2fast$0(OCoLC)fst00835087
650 7 $aEmotions in literature.$2fast$0(OCoLC)fst00908874
650 7 $aEnglish fiction.$2fast$0(OCoLC)fst00910817
650 7 $aPsychological fiction, English.$2fast$0(OCoLC)fst01081356
650 7 $aPsychology.$2fast$0(OCoLC)fst01081447
650 7 $aPsychology in literature.$2fast$0(OCoLC)fst01081559
650 7 $aWomen and literature.$2fast$0(OCoLC)fst01177093
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
650 17 $aRomans.$2gtt
650 17 $aEngels.$2gtt
650 17 $aBlozen.$2gtt
650 17 $aPsychologische aspecten.$2gtt
650 7 $aEnglisch$2gnd
650 7 $aErröten$gMotiv$2gnd
650 7 $aErröten$2gnd
650 7 $aGefühl$gMotiv$2gnd
650 7 $aPsychologie$2gnd
650 7 $aRoman$2gnd
650 7 $aRoman anglais$y19e siècle$xHistoire et critique.$2ram
650 7 $aÉmotions dans la littérature.$2ram
650 7 $aRoman anglais$y19e siècle$xThèmes, motifs.$2ram
650 7 $aRouge$xDans la littérature.$2ram
650 07 $aRoman.$2swd
651 7 $aEnglisch.$2swd
650 7 $aEngelska romaner$xhistoria$y1800-talet.$2sao
650 7 $aKänslor i litteraturen.$2sao
650 7 $aKvinnor och litteratur.$2sao
648 7 $a1800-1899$2fast
653 $aEnglish fiction -- 19th century -- History and criticism
653 $aBlushing in literature
653 $aAusten, Jane, 1775-1817 -- Knowledge -- Psychology
653 $aGaskell, Elizabeth Cleghorn, 1810-1865 -- Knowledge -- Psychology
653 $aPsychological fiction, English -- History and criticism
653 $aWomen and literature -- England -- History -- 19th century
653 $aDickens, Charles, 1812-1870 -- Knowledge -- Psychology
653 $aPsychology in literature
653 $aEmotions in literature
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aO'Farrell, Mary Ann.$tTelling complexions.$dDurham, N.C. : Duke University Press, 1997$w(OCoLC)606108884
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