MARC record from Internet Archive

LEADER: 04317cam 2200589Ma 4500
001 ocm44964909
003 OCoLC
005 20201005054942.0
008 000807s1996 iaua ob 001 0 eng d
006 m o d
007 cr cn|||||||||
010 $z 95050872
040 $aN$T$beng$epn$cN$T$dOCL$dOCLCQ$dYDXCP$dOCLCG$dOCLCQ$dTUU$dOCLCQ$dTNF$dOCLCQ$dNHA$dOCLCQ$dMWM$dSUR$dOCLCQ$dLUE$dOCLCF$dINT$dTOF$dOCLCQ$dJZ6$dAJS
019 $a961570423$a962718167$a970741576$a984872579$a1053245469$a1197066222
020 $a1587291835$q(electronic bk.)
020 $a9781587291838$q(electronic bk.)
020 $z0877455457$q(cloth ;$qalk. paper)
035 $a(OCoLC)44964909$z(OCoLC)961570423$z(OCoLC)962718167$z(OCoLC)970741576$z(OCoLC)984872579$z(OCoLC)1053245469$z(OCoLC)1197066222
050 4 $aPR3091$b.T49 1996eb
072 7 $aPER$x011020$2bisacsh
082 04 $a792.9/2$220
245 00 $aTextual and theatrical Shakespeare :$bquestions of evidence /$cedited by Edward Pechter.
260 $aIowa City, IA :$bUniversity of Iowa Press,$c1996.
300 $a1 online resource (266 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aStudies in theatre history and culture
504 $aIncludes bibliographical references and index.
520 $aShakespeare commentary and performance today present us with a multiplicity of interpretations constructed and reconstructed from such diverse origins that the underlying evidence has become hidden by layers of reconceptualized meanings. What can or should count as evidence for the claims made by scholars and performers, and how should this evidence be organized? In Textual and Theatrical Shakespeare ten essayists answer these stimulating questions by exploring the possibilities for and the constraints upon useful communication among critics who come to Shakespeare from so many different directions. Bridging the stage-versus-page gap between actors, critics, and scholars, the contributors in this carefully crafted yet energizing book reflect upon the many kinds of evidence available to us from Shakespeare's various incarnations as historical subject and as "our contemporary" as well as from his amphibious occupation of both stage and study. The constraints of such differences become arbitrary as each essayist clarifies the sources of this evidence; the seemingly rigid boundaries of scholarly and creative discipline are crossed and redrawn.
588 0 $aPrint version record.
600 10 $aShakespeare, William,$d1564-1616$xDramatic production.
600 10 $aShakespeare, William,$d1564-1616$xCriticism, Textual.
600 10 $aShakespeare, William,$d1564-1616$xStage history.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
650 7 $aPERFORMING ARTS$xTheater$xHistory & Criticism.$2bisacsh
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aPechter, Edward,$d1941-
776 08 $iPrint version:$tTextual and theatrical Shakespeare.$dIowa City, IA : University of Iowa Press, 1996$z0877455457$w(DLC) 95050872$w(OCoLC)33983179
830 0 $aStudies in theatre history and culture.
856 40 $3EBSCOhost$uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=22110
856 4 $3EBSCOhost$uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=22110
856 40 $uhttps://login.lacollegelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=22110
856 40 $3NetLibrary$uhttps://elib.southwest.tn.edu:3443/login?url=http://www.netlibrary.com/urlapi.asp?action=summary&v=1&bookid=22110$zAn electronic book accessible through the World Wide Web; click for information
856 4 $3Bibliographic record display$uhttp://library.faulkner.edu:2048/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=22110$zClick to view E-book
938 $aEBSCOhost$bEBSC$n22110
938 $aYBP Library Services$bYANK$n2359244
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 645 OTHER HOLDINGS